Salò, or the 120 Days of Sodom Christopher Sharrett September 2013 CTEQ Annotations on Film It appears to me that there is still a tendency among reviewers and film scholars to regard Pier Paolo Pasolini’s final masterpiece, Salò o le 120 giornate de Sodoma (Salò, or the 120 Days of Sodom, 1975), as a...
Mamma Roma and the Conflicted Passions of Pier Paolo Pasolini Bruce Hodsdon September 2013 CTEQ Annotations on Film “I love life so fiercely, so desperately, that nothing good can come of it.” - Pier Paolo Pasolini (1960) (1) “Pasolini (in his death) has successfully evaded the mortal synthesis, and reproposes around his c...
