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Magazine, or, A Tribute to Short Films and thus to the Cinema in General
the editors
December 2012
Feature Articles
Recent
Fire Machines:
Titane
and the Pyrotechnics of Love
Emmalea Russo
May 2022
Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema
Caitlin Wilson
May 2022
Deleuzian Rumblings:
Residue
by Desire Machine Collective
Vedant Srinivas
May 2022
Acts of Faith: On
Benedetta
(Paul Verhoeven, 2021)
Peter Verstraten
May 2022
‘Is
The Power of the Dog
a New Zealand film? National Identity, Genre and Jane Campion’
Missy Molloy & Alfio Leotta
May 2022
Traumatising the floating space of desire: how hotel spaces locate the painful passion of dislocated lives
Nashuyuan Wang
May 2022
Interviews
Random
Encounter at the Editing Table – The Film Archive as a Memory of One's Own Existence
the editors
July 2019
Interviews
Recent
‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella
Silvia Spitta & Gerd Gemünden
May 2022
“The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz
Victor Paz
May 2022
Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation
Madeleine Collier
May 2022
The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie
Brigitta Wagner
May 2022
Interview with Albert Birney & Kentucker Audley
Nolan Kelly
May 2022
An Interview with Danny Lyon
Elizabeth Dexter
May 2022
Great Directors
Random
Ingram, Rex
the editors
September 2015
Great Directors
Recent
Smith, Jack: Travails of an Underground Artist
Sanya Osha
May 2022
Desai, Manmohan
Darragh O’Donoghue
May 2022
Curtiz, Michael
Jeremy Carr
January 2022
Lau, Kar-leung
Tom Cunliffe
January 2022
Tahimik, Kidlat
Charles Fairbanks
January 2022
Lucas, George
Dan Golding
July 2021
Great Actors
Random
Caine, Michael
the editors
May 2022
Great Actors
Recent
Lansbury, Angela
Joy McEntee
May 2022
Garbo, Greta
Jeremy Carr
May 2022
Magee, Patrick
Mark Lager
May 2022
Cage, Nicolas
Jessica Balanzategui
January 2022
Festival Reports
Random
Our Beloved Month of October (or, Do the Hurch-Lurch!): The 46th Viennale – Vienna International Film Festival
the editors
April 2009
Festival Reports
Recent
Day by Day: IFFR 2022
Madeleine Collier
May 2022
Stuck in traffic: IFFR 2022
Tara Judah
May 2022
Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.
Tara Judah
May 2022
From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer
Anuj Malhotra
May 2022
Film Goes On (?): The 23rd Jeonju International Film Festival
Marc Raymond
May 2022
Play-Doc 2022: António Campos, a secret filmmaker
Ricardo Vieira Lisbo
May 2022
Book Reviews
Random
More Rapture!
The Big Screen: The Story of the Movies and What They Did To Us
by David Thomson
the editors
September 2013
Book Reviews
Recent
How to Do Things with Camera Movement:
The Lure of the Image: Epistemic Fantasies of the Moving Camera
, by Daniel Morgan
Kyle Barrowman
May 2022
The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
January 2022
Hollywood, Reinvented:
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
, by Glenn Frankel
Elroy Rosenberg
January 2022
Rhythm and Light:
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz,
by Laleen Jayamanne
Steven Shaviro
July 2021
West Side Story
Redux:
West Side Story: The Jets, the Sharks, and the Making of a Classic,
by John Barrios
Adrian Schober
July 2021
Foraging in a Transforming Mediascape:
Cinemas Dark and Slow in Digital India,
by Lalitha Gopalan
Megan Carrigy
July 2021
CTEQ
Random
Street of Shame
the editors
October 2004
CTEQ Annotations on Film
Recent
Shockproof
(Douglas Sirk, 1949): The Insanity of Romantic Desire
Wheeler Winston Dixon
May 2022
The Grotesque Loves of
Jealousy, Italian Style
(Ettore Scola, 1970)
Tiia Kelly
May 2022
A Geography of Fractured Desire: Michelangelo Antonioni’s
L’eclisse
(1962)
Danica van de Velde
May 2022
Il Deserto Rosso
(
Red Desert
, Michelangelo Antonioni, 1964)
Boyd van Hoeij
May 2022
‘You Can’t Make an Omelette…’ –
Modesty Blaise
(Joseph Losey, 1966) and the Art of Breaking Eggs
David Melville
May 2022
Fritz Lang’s
Spione
(1928)
Shari Kizirian
May 2022
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issue 94
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issue 94
Issue 94
the editors
April 2020
...
