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The Bleakness of the Happy Ending: Sirk’s Uncomfortable Comedies
the editors
February 2015
Feature Articles
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Respecting the Lives of Others:
Bergman Island
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More than a Wink: The Nature of Reality in
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Las Babas del Diablo
Will Hair
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Protestploitation ’70: Revisiting
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Selen Ozturk
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Suicide and Genius: Insights into One Episode of Akira Kurosawa’s
Dreams
Matthew Michaud & Justin Richardson
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Michael James Beck
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Bigger than life, or stranger: Pedro Costa’s
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Thomas Austin
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the editors
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Maria Giovanna Vagenas
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Maja Korbecka
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Human is only human when vulnerable: An Interview With Michel Franco
Savina Petkova
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Silvia Spitta & Gerd Gemünden
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“The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz
Victor Paz
May 2022
Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation
Madeleine Collier
May 2022
Great Directors
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Vidor, King
the editors
February 2007
Great Directors
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Smith, Jack: Travails of an Underground Artist
Sanya Osha
May 2022
Desai, Manmohan
Darragh O’Donoghue
May 2022
Curtiz, Michael
Jeremy Carr
January 2022
Lau, Kar-leung
Tom Cunliffe
January 2022
Tahimik, Kidlat
Charles Fairbanks
January 2022
Lucas, George
Dan Golding
July 2021
Great Actors
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Lansbury, Angela
the editors
May 2022
Great Actors
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Caine, Michael
Wheeler Winston Dixon
May 2022
Garbo, Greta
Jeremy Carr
May 2022
Magee, Patrick
Mark Lager
May 2022
Cage, Nicolas
Jessica Balanzategui
January 2022
Festival Reports
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Greek Cinema - Emerging from a Landscape in the Mist: The 51
st
Thessaloniki International Film Festival
the editors
March 2011
Festival Reports
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Sundance Film Festival 2022
Bérénice Reynaud
August 2022
Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival
Cerise Howard
August 2022
Normality: The 2022 Cannes Film Festival
Daniel Fairfax
August 2022
36th Cinema Ritrovato Gets Covid in the Tail
Roger Macy
July 2022
Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival
Jonathan Mackris
July 2022
New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival
Judith Pernin
July 2022
Book Reviews
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Monte Hellman: His Life and Films
by Brad Stevens
the editors
February 2004
Book Reviews
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Trafic
at 30, End of a Film Journal
Emmanuel Bonin
July 2022
How to Do Things with Camera Movement:
The Lure of the Image: Epistemic Fantasies of the Moving Camera
, by Daniel Morgan
Kyle Barrowman
May 2022
The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
January 2022
Hollywood, Reinvented:
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
, by Glenn Frankel
Elroy Rosenberg
January 2022
Rhythm and Light:
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz,
by Laleen Jayamanne
Steven Shaviro
July 2021
West Side Story
Redux:
West Side Story: The Jets, the Sharks, and the Making of a Classic,
by Richard Barrios
Adrian Schober
July 2021
CTEQ
Random
The “High Sign”
the editors
September 2013
CTEQ Annotations on Film
Recent
Ma Vie de Courgette
(
My Life as a Courgette
, Claude Barras, 2016)
Cristina Johnston
September 2022
Les Olympiades
(
Paris, 13th District
, Jacques Audiard, 2021)
Darragh O’Donoghue
September 2022
Girlhood
(Céline Sciamma, 2014)
Holly Willis
September 2022
Petite Maman
(Céline Sciamma, 2021)
Louise Cain
September 2022
Tomboy
(Céline Sciamma, 2011)
Faith Everard
September 2022
Shadows of Forgotten Ancestors
(Sergei Parajanov, 1965)
Wheeler Winston Dixon
July 2022
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issue 94
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issue 94
Issue 94
the editors
April 2020
...
