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Perfect Storm, Imperfect Death
the editors
November 2006
Feature Articles
Recent
The Experimental Propagandist: Frank Capra and the Shape of Truth
Richard Sowada
January 2022
Heil Darling
: a story of lips that haven’t laughed
Pablo Gonçalo
January 2022
The Night Shift: Woman as Outlaw Hero in
The Man I Love
Rob Nixon
January 2022
Smooth Digital Reveries: On Proto-Vaporwave and
The Flying Luna Clipper
Dechlan Cochran
January 2022
Promising Young Woman
and the cinematic renegotiation of gender in rape-revenge
Joy McEntee
January 2022
Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services
Andrew Lynch and Alexa Scarlata
January 2022
Interviews
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Interview: Sergei Loznitsa on his new film
The Trial
the editors
July 2019
Interviews
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Pom Bunsermvicha interview: “Being part of a family“
Maja Korbecka
January 2022
Leaning into the Challenge: Interview with
Scattered
co-creators Logan Mucha and Kate Darrigan
Stuart Richards
January 2022
“The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot
Daniel Fairfax
January 2022
Do you feel lonely standing here? A conversation with Na Jiazuo
Łukasz Mańkowski
January 2022
A Joyride through Technological Change: Interview with David Cox
Dirk de Bruyn
January 2022
Sunken Film: Bill Morrison Talks
The Village Detective: a song cycle
Andrew Northrop
July 2021
Great Directors
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Siegel, Don
the editors
July 2004
Great Directors
Recent
Curtiz, Michael
Jeremy Carr
January 2022
Lau, Kar-leung
Tom Cunliffe
January 2022
Tahimik, Kidlat
Charles Fairbanks
January 2022
Lucas, George
Dan Golding
July 2021
Riefenstahl, Leni
Jeremy Carr
July 2021
Obayashi, Nobuhiko
Hal Young
May 2021
Great Actors
Festival Reports
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Squeezing through the Portal: Dragons and Tigers at Vancouver
the editors
June 2000
Festival Reports
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Thessaloniki International Film Festival: Rewriting the Rules of the Game
Maria Giovanna Vagenas
February 2022
The Pivot to Asia: The 34th Tokyo International Film Festival
Kohei Usuda
February 2022
Come Together: The 59th Viennale
Leonardo Goi
January 2022
From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival
Carmen Gray
January 2022
AFI FEST-AFM: The Perils of Online
Bérénice Reynaud
January 2022
Looking for Love at HitchCon 2021
Amelia Leonard and Jacob Agius
January 2022
Book Reviews
Random
This Is Not Another Reading of a Master:
The Invention of Robert Bresson: the Auteur and his Market
, by Colin Burnett
the editors
October 2019
Book Reviews
Recent
The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
January 2022
Hollywood, Reinvented:
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
, by Glenn Frankel
Elroy Rosenberg
January 2022
Rhythm and Light:
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz,
by Laleen Jayamanne
Steven Shaviro
July 2021
West Side Story
Redux:
West Side Story: The Jets, the Sharks, and the Making of a Classic,
by John Barrios
Adrian Schober
July 2021
Foraging in a Transforming Mediascape:
Cinemas Dark and Slow in Digital India,
by Lalitha Gopalan
Megan Carrigy
July 2021
Time Machines:
After Kubrick: A Filmmaker’s Legacy
, edited by Jeremi Szaniawski
Joy McEntee
May 2021
CTEQ
Random
Yellow Submarine
the editors
May 2003
CTEQ Annotations on Film
Recent
Fritz Lang’s
Spione
(1928)
Shari Kizirian
May 2022
An entertainment: Fritz Lang’s
Ministry of Fear
(1944)
Andréas Giannopoulos
May 2022
Out of the Shadows:
Cloak and Dagger
(Fritz Lang, 1946)
Ian Olney
May 2022
“A pin for me ’at”: Fritz Lang’s
Man Hunt
(1941)
Adrian Danks
May 2022
Fritz Lang in America:
While the City Sleeps
(1956)
Wheeler Winston Dixon
May 2022
M
(Fritz Lang, 1931)
Digby Houghton
May 2022
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issue 81
Issue 81
the editors
December 2016
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