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Night Surfing: On Telephilia
Rachel Brown
February 2004
Feature Articles
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Deleuzian Rumblings:
Residue
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Vedant Srinivas
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Acts of Faith: On
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Fire Machines:
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Emmalea Russo
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‘Is
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Play-Doc 2022: António Campos, a secret filmmaker
Ricardo Vieira Lisbo
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Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema
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Anonymous
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The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie
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Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation
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Great Directors
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Siegel, Don
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Smith, Jack: Travails of an Underground Artist
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Jeremy Carr
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Lau, Kar-leung
Tom Cunliffe
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Festival Reports
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Visions - The Inaugural Sydney Asia Pacific Film Festival
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Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.
Tara Judah
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From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer
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70 Years of Mountain Cinema: The 2022 Trento Film Festival
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Book Reviews
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American Smart Cinema
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December 2013
Book Reviews
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How to Do Things with Camera Movement:
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The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
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Hollywood, Reinvented:
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Elroy Rosenberg
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Rhythm and Light:
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Steven Shaviro
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West Side Story
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Foraging in a Transforming Mediascape:
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Megan Carrigy
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CTEQ
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Footage Fetishist:
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December 2002
CTEQ Annotations on Film
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Shockproof
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The Grotesque Loves of
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Tiia Kelly
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A Geography of Fractured Desire: Michelangelo Antonioni’s
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Danica van de Velde
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Il Deserto Rosso
(
Red Desert
, Michelangelo Antonioni, 1964)
Boyd van Hoeij
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‘You Can’t Make an Omelette…’ –
Modesty Blaise
(Joseph Losey, 1966) and the Art of Breaking Eggs
David Melville
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Fritz Lang’s
Spione
(1928)
Shari Kizirian
May 2022
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issue 76
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issue 76
Issue 76
Rachel Brown
September 2015
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