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Night Surfing: On Telephilia
Rachel Brown
February 2004
Feature Articles
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Deleuzian Rumblings:
Residue
by Desire Machine Collective
Vedant Srinivas
May 2022
Acts of Faith: On
Benedetta
(Paul Verhoeven, 2021)
Peter Verstraten
May 2022
Fire Machines:
Titane
and the Pyrotechnics of Love
Emmalea Russo
May 2022
‘Is
The Power of the Dog
a New Zealand film? National Identity, Genre and Jane Campion’
Alfio Leotta & Missy Molloy
May 2022
Play-Doc 2022: António Campos, a secret filmmaker
Ricardo Vieira Lisbo
May 2022
Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema
Caitlin Wilson
May 2022
Interviews
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Interview with Albert Birney & Kentucker Audley
Rachel Brown
May 2022
Interviews
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Silvia Spitta & Gerd Gemünden
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“The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz
Victor Paz
May 2022
An Interview with Danny Lyon
Anonymous
May 2022
The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie
Brigitta Wagner
May 2022
Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation
Madeleine Collier
May 2022
Closing the Gap Between Self and Self: A Conversation with Nina Menkes
Paulo B. Menezes
May 2022
Great Directors
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Siegel, Don
Rachel Brown
July 2004
Great Directors
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Smith, Jack: Travails of an Underground Artist
Sanya Osha
May 2022
Desai, Manmohan
Darragh O’Donoghue
May 2022
Curtiz, Michael
Jeremy Carr
January 2022
Lau, Kar-leung
Tom Cunliffe
January 2022
Tahimik, Kidlat
Charles Fairbanks
January 2022
Lucas, George
Dan Golding
July 2021
Great Actors
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Garbo, Greta
Rachel Brown
May 2022
Great Actors
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Lansbury, Angela
Joy McEntee
May 2022
Magee, Patrick
Mark Lager
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Caine, Michael
Wheeler Winston Dixon
May 2022
Cage, Nicolas
Jessica Balanzategui
January 2022
Festival Reports
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Visions - The Inaugural Sydney Asia Pacific Film Festival
Rachel Brown
June 2000
Festival Reports
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Day by Day: IFFR 2022
Madeleine Collier
May 2022
Stuck in traffic: IFFR 2022
Tara Judah
May 2022
Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.
Tara Judah
May 2022
From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer
Anuj Malhotra
May 2022
Film Goes On (?): The 23rd Jeonju International Film Festival
Marc Raymond
May 2022
70 Years of Mountain Cinema: The 2022 Trento Film Festival
Maria San Filippo
May 2022
Book Reviews
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American Smart Cinema
by Claire Perkins
Rachel Brown
December 2013
Book Reviews
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How to Do Things with Camera Movement:
The Lure of the Image
: Epistemic Fantasies of the Moving Camera, by Daniel Morgan
Kyle Barrowman
May 2022
The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
January 2022
Hollywood, Reinvented:
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
, by Glenn Frankel
Elroy Rosenberg
January 2022
Rhythm and Light:
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz,
by Laleen Jayamanne
Steven Shaviro
July 2021
West Side Story
Redux:
West Side Story: The Jets, the Sharks, and the Making of a Classic,
by John Barrios
Adrian Schober
July 2021
Foraging in a Transforming Mediascape:
Cinemas Dark and Slow in Digital India,
by Lalitha Gopalan
Megan Carrigy
July 2021
CTEQ
Random
Footage Fetishist:
The Merry Widow
Rachel Brown
December 2002
CTEQ Annotations on Film
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Shockproof
(Douglas Sirk, 1949): The Insanity of Romantic Desire
Wheeler Winston Dixon
May 2022
The Grotesque Loves of
Jealousy, Italian Style
(Ettore Scola, 1970)
Tiia Kelly
May 2022
A Geography of Fractured Desire: Michelangelo Antonioni’s
L’eclisse
(1962)
Danica van de Velde
May 2022
Il Deserto Rosso
(
Red Desert
, Michelangelo Antonioni, 1964)
Boyd van Hoeij
May 2022
‘You Can’t Make an Omelette…’ –
Modesty Blaise
(Joseph Losey, 1966) and the Art of Breaking Eggs
David Melville
May 2022
Fritz Lang’s
Spione
(1928)
Shari Kizirian
May 2022
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issue 76
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issue 76
Issue 76
Rachel Brown
September 2015
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