• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Kath Dooley
      July 2026
      Feature Articles
    Recent
    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
    • Empathic Sound in Film: The Deaf Soundscape of Sound of Metal

      Gemma King
      May 2026
  • Interviews
    Random
    • Gazing into the Abyss: An interview with Wei Shujun

      Kath Dooley
      January 2024
      Interviews
    Recent
    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
    Random
    • Campion, Jane

      Kath Dooley
      October 2002
      Great Directors
    Recent
    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
    Random
    • Yeoh, Michelle

      Kath Dooley
      May 2025
      Great Actors
    Recent
    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
    • Delon, Alain

      Mark Lager
      November 2024
  • Festival Reports
    Random
    • article placeholder

      Inhaling a Unique Atmosphere – Central and East European Film at the 37th Karlovy Vary

      Kath Dooley
      October 2002
      Festival Reports
    Recent
    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
    Random
    • article placeholder

      Meet John Cassavetes

      Kath Dooley
      September 2001
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
    Random
    • article placeholder

      Marilyn Times Five

      Kath Dooley
      March 2009
      CTEQ Annotations on Film
    Recent
    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Tagged Adelaide

Home
Adelaide

“Screen Worship”: The 2013 Adelaide Film Festival

Kath Dooley
December 2013
Festival Reports
It’s all about creating doorways. This was the message of writer/director Scott Hicks, winner of the 2013 Don Dunstan Award for outstanding contribution to the Australian film industry, which was presented at t...

To Capture Life: The 5th Biennial Bigpond Adelaide Film Festival

Tom Redwood
May 2011
Festival Reports
Unlike older and more established Australian international film festivals (the Melbournes, the Sydneys, even the Brisbanes) the still very young Bigpond Adelaide Film Festival (BAFF) has, as yet, by no means ea...

Worldly Australian Cinema: The 4th Adelaide Film Festival

Sukhmani Khorana
April 2009
Festival Reports
  19 February – 1 March 2009 It is the end of summer and Adelaide is decisively abuzz with the gala ambience that accords South Australia its “Festival State” stature. After six years of studying and...

Read the Senses of Cinema World Poll 2025

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

PART 8

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff