On Malick’s Subjects Michael Filippidis July 2000 Terrence Malick A study of how the men in Malick's films always die young.
The Shape of Fear: Thoughts after The Thin Red Line Bill Schaffer July 2000 Terrence Malick Windswept waves of fear and apprehension. War like no other.
Death Comes as an End: Temporality, Domesticity and Photography in Terrence Malick’s Badlands Adrian Danks July 2000 Terrence Malick Malick's first film is full of haunting images expressing the melancholic impossibility of life.
