• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random

    • Objects of Memory in Contemporary Catalan Documentaries: Materiality and Mortality

      Vicki Englund
      October 2011
      Feature Articles
    Recent

    • Elizabeth Price’s “Dexterous Facility”: An Anarchival Impulse?

      Catherine Fowler
      August 2024

    • American Wasteland: Alex Garland’s Civil War

      Wheeler Winston Dixon
      August 2024

    • From Domestic Ethnography to a Cinema of Mourning: Finding the Father on Film

      Emily Rytmeister
      August 2024

    • Cinematic Modalities: Beyond the Boundaries of Frame, Image and Sound in Mommy and The Lighthouse

      Rebecca Chew
      August 2024

    • The Fleeting Lullabies of Queerness: An Analysis of the Queer Poetics in Jenni Olson’s Short Films

      Amin Heidari
      August 2024

    • “Do you know who I am?”: Confusion and Loss in Saidin Salkic’s My Heart Bled like Niagara Falls

      Fiona Villella
      August 2024
  • Interviews
    Random

    • Mapping Global Horror: Academic roundtable

      Vicki Englund
      November 2023
      Interviews
    Recent

    • An Interview with Haobam Paban Kumar

      Aditya Shrikrishna
      August 2024

    • Interview with Celina Murga

      Gary M. Kramer
      August 2024

    • Interview with Florence Delay, Bresson’s Joan of Arc

      Sally Shafto
      August 2024

    • An Interview with Antoine Chevrollier

      Gary M. Kramer
      August 2024

    • An Interview with Graham Swon

      Joshua Bogatin
      August 2024

    • An Interview with Jonás Trueba

      Gary M. Kramer
      August 2024
  • Great Directors
    Random

    • von Trotta, Margarethe

      Vicki Englund
      December 2002
      Great Directors
    Recent

    • Guzmán, Patricio

      Matthew J. Losada
      August 2024

    • Box, Muriel

      Melanie Williams
      August 2024

    • Aleksandrov, Grigori Vasilyevich

      Tony Williams
      August 2024

    • Greenaway, Peter

      Sherry Johnson
      May 2024

    • Bonello, Bertrand

      Ryan Akler-Bishop
      January 2024

    • Dalianidis, Yannis

      Frankie Kanatas
      January 2024
  • Great Actors
    Random

    • Bogart, Humphrey

      Vicki Englund
      May 2023
      Great Actors
    Recent

    • Nicholson, Jack

      Jaimey Fisher
      August 2024

    • Taylor, Elizabeth

      Gabrielle Stecher
      November 2023

    • Stanwyck, Barbara

      Eloise Ross
      August 2023

    • Divine

      Jacob Agius
      October 2022

    • Lansbury, Angela

      Joy McEntee
      May 2022

    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
  • Festival Reports
    Random

    • Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival

      Vicki Englund
      April 2009
      Festival Reports
    Recent

    • On New Shores: The 27th San Francisco Silent Film Festival

      Jonathan Mackris
      August 2024

    • Nurturing Open Memories: Film for Mother 2024

      Zifei Wang
      August 2024

    • Film’s Struggle Through the Ages: The 8th Annual Nitrate Picture Show

      Joshua Bogatin
      August 2024

    • 14th Taiwan International Documentary Festival: Archival Experiences

      Maja Korbecka
      August 2024

    • An Archival Bug: The 38th Il Cinema Ritrovato

      Nace Zavrl
      August 2024

    • Mass appeal: Report from the 2024 Cannes Film Festival

      Elena Lazic
      August 2024
  • Book Reviews
    Random

    • A Multitude of Meanings: The Long Take: Critical Approaches, ed. John Gibbs and Douglas Pye

      Vicki Englund
      March 2019
      Book Reviews
    Recent

    • They Do Indeed Exist: Knights of Cinema: The Story of the Palestine Film Unit, by Khadijeh Habashneh

      Henri de Corinth
      August 2024

    • White People Have Work to Do: Ellen E. Jones’ Screen Deep: How film and TV Can Solve Racism and Save the World

      Tara Judah
      May 2024

    • The World of Invisible Films: Shadow Cinema: The Historical and Production Contexts of Unmade Films, edited by James Fenwick, Kieran Foster and David Eldridge

      Pablo Gonçalo
      May 2024

    • Frequently Illuminating, but Sometimes Misjudged: Hollywood and the Movies of the Fifties by Foster Hirsch

      Tom Ryan
      January 2024

    • Ordinary Lives, Extraordinary Stories: Efrén Cuevas’ Filming History from Below

      Vladimir Rosas-Salazar
      January 2024

    • Modulating the Rhetorical: The Eloquent Screen, by Gilberto Perez

      Tony McKibbin
      January 2024
  • CTEQ
    Random
    • article placeholder

      Loose Change(s): Pocket Money and the “Post-Western”

      Vicki Englund
      April 2004
      CTEQ Annotations on Film
    Recent

    • Those Wonderful Movie Cranks

      Cerise Howard
      October 2024

    • Larks on a String

      Amelia Leonard
      September 2024

    • Capricious Summer

      Alexander Back
      September 2024

    • Black Test Car

      Martyn Bamber
      September 2024

    • Blind Beast

      Darragh O’Donoghue
      September 2024

    • Irezumi

      Faith Everard
      September 2024
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Vicki Englund

Vicki Englund

Vicki Englund is a film and TV reviewer, and also writes screenplays, for which she has received two AWGIE nominations. She has a degree in Media Studies from the University of Queensland.

article placeholder

A Report on the 2001 Brisbane International Film Festival

Vicki Englund
September 2001
Festival Reports
Discussing various aspects of Brisbane's 10th International Film Festival.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff