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    • Concrete Vanities: Terrence Malick’s Knight of Cups

      Todd Herzog
      March 2015
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Too Beautiful To Live; Too Young To Die: A Report on the 6th Bangkok International Film Festival

      Todd Herzog
      March 2003
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Alvin Purple by Catharine Lumby

      Todd Herzog
      February 2009
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Todd Herzog
      February 2006
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      Danica van de Velde
      April 2021
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      Joseph Sgammato
      April 2021
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      Hayley Scanlon
      April 2021
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      Eloise Ross
      April 2021
    • The Major and The Minor (Billy Wilder, 1942)

      Karli Lukas
      April 2021
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      Jytte Holmqvist
      April 2021
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      Todd Herzog
      December 2003
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      October 2020
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      October 2020
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      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Todd Herzog

Todd Herzog

Todd Herzog is Associate Professor and Head of the German Studies Department at the University of Cincinnati. His research and teaching focus on 20th- and 21st-century German and Austrian literature, film, and culture. He is author of Crime Stories: Criminalistic Fantasy and the Culture of Crisis in Weimar Germany (Berghahn, 2009), and co-editor of A New Germany in a New Europe (Routledge, 2001) and Rebirth of a Culture: Jewish Identity and Jewish Writing in Germany and Austria Today (Berghahn, 2008). He is currently editing German Cinema: A Critical Filmography to 1945 for Caboose Books and working on a monograph on surveillance and art. He regularly teaches courses on Germanic mythology, European cinema, film studies, methodology and history, German cultural history, and children's literature.

‘Are you by any chance a sad-eyed, innocent villain in pictures?’ / ‘Yes, I’m afraid I am’ (1) Peter Lorre: Face Maker by Sarah Thomas

Todd Herzog
September 2012
Book Reviews
In the 1930s Charlie Chaplin referred to Peter Lorre as ‘the greatest living actor’ (p. 60). Fifty years later, Vincent Price claimed that Lorre was ‘not in any way a bad actor; it's just that Hollywood's creat...

The Newest New Wave: New Austrian Film edited by Robert von Dassanowsky and Oliver C. Speck

Todd Herzog
March 2012
Book Reviews
Is there an Austrian National Cinema? The concept of national cinema has always been difficult to pin down. Especially in a country whose domestic market is as small and whose identity has been as fluid as A...

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