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  • Dossiers
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      One Week, Far from Hollywood

      Todd Herzog
      November 2000
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
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    • A Mirror of the Ever-Changing Cinematic Landscape: the Eclectic Oeuvre of James Scott

      Todd Herzog
      January 2021
      Interviews
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
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    • Rosenblatt, Jay

      Todd Herzog
      December 2009
      Great Directors
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    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
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    • Lansbury, Angela

      Todd Herzog
      May 2022
      Great Actors
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    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
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    • Oberhausen film festival review

      Exploring the Liminal Space between Selection and Curation: 61. Internationale Kurzfilmtage Oberhausen

      Todd Herzog
      June 2015
      Festival Reports
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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      Womenvision: Women and the Moving Image in Australia edited by Lisa French

      Todd Herzog
      July 2003
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
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      Letter to Jane

      Todd Herzog
      May 2006
      CTEQ Annotations on Film
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    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Todd Herzog

Todd Herzog

Todd Herzog is Associate Professor and Head of the German Studies Department at the University of Cincinnati. His research and teaching focus on 20th- and 21st-century German and Austrian literature, film, and culture. He is author of Crime Stories: Criminalistic Fantasy and the Culture of Crisis in Weimar Germany (Berghahn, 2009), and co-editor of A New Germany in a New Europe (Routledge, 2001) and Rebirth of a Culture: Jewish Identity and Jewish Writing in Germany and Austria Today (Berghahn, 2008). He is currently editing German Cinema: A Critical Filmography to 1945 for Caboose Books and working on a monograph on surveillance and art. He regularly teaches courses on Germanic mythology, European cinema, film studies, methodology and history, German cultural history, and children's literature.

‘Are you by any chance a sad-eyed, innocent villain in pictures?’ / ‘Yes, I’m afraid I am’ (1) Peter Lorre: Face Maker by Sarah Thomas

Todd Herzog
September 2012
Book Reviews
In the 1930s Charlie Chaplin referred to Peter Lorre as ‘the greatest living actor’ (p. 60). Fifty years later, Vincent Price claimed that Lorre was ‘not in any way a bad actor; it's just that Hollywood's creat...

The Newest New Wave: New Austrian Film edited by Robert von Dassanowsky and Oliver C. Speck

Todd Herzog
March 2012
Book Reviews
Is there an Austrian National Cinema? The concept of national cinema has always been difficult to pin down. Especially in a country whose domestic market is as small and whose identity has been as fluid as A...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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