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      A Few Underpinnings of the New Iranian Cinema

      Tessa Chudy
      July 2002
      Feature Articles
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    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022
    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Mark Freeman & Eloise Ross
      October 2022
    • Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers

      Joy McEntee
      October 2022
    • Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World

      Salvador Carrasco
      October 2022
    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
  • Interviews
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    • The Unbearable Object of Liminality: A Conversation with Zheng Lu Xinyuan

      Tessa Chudy
      July 2020
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    • We Learn by Making: A Conversation with Alexandra Cuesta

      Andrew Northrop
      October 2022
    • Love Dog: Conversation with Bianca Lucas

      Maria Giovanna Vagenas
      October 2022
    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022
    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022
    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
  • Great Directors
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    • Sautet, Claude

      Tessa Chudy
      March 2003
      Great Directors
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    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
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      Tessa Chudy
      May 2022
      Great Actors
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Jessica Balanzategui
      January 2022
  • Festival Reports
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      CineSuspense: Le Giornate del Cinema Muto: The 26th Pordenone Silent Film Festival

      Tessa Chudy
      March 2008
      Festival Reports
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    • Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival

      Levan Tskhovrebadze
      October 2022
    • NYFF 60: Hide and Seek

      Nolan Kelly
      October 2022
    • Budapest Classics Film Marathon

      Andrew Northrop
      October 2022
    • Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

      Susana Bessa
      October 2022
    • The 75th Locarno Film Festival: Happy Birthday and Many Happy Returns

      Jaimey Fisher
      October 2022
    • (Fist) Bump in the Night at Fantasia 2022

      Jake Pitre
      October 2022
  • Book Reviews
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    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Tessa Chudy
      December 2018
      Book Reviews
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    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
  • CTEQ
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    • Outrage (1950): Ida Lupino’s Vision of Rape Trauma

      Tessa Chudy
      October 2018
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Tessa Chudy

Tessa Chudy

Tessa Chudy is a postgraduate student at Southern Cross University. She has work in Cruxis 2011 Edition 6 (CRUX is recognised as the official representative body for postgraduate students). See Tessa's artwork online. Tessa won as a finalist in the inaugural Flair Book Illustration Award.

Nicole Kidman: Stardom, Performance and Persona

Tessa Chudy
March 2014
Book Reviews
I started reading Pam Cook’s study of Nicole Kidman at the same time that I started listening to the new David Bowie album. The song, “The Stars (Are out Tonight)”, with its arch and scathing portrait of remote...

The Psychology of Seeing and the Cinema of Roman Polanski by Davide Caputo

Tessa Chudy
November 2012
Book Reviews
The films of Roman Polanski make a provocative and challenging body of work, but one which is also difficult to separate from the almost melodramatic details of Polanski’s own life. It is also difficult to alig...

Film Noir: Hard-Boiled Modernity and the Cultures of Globalization by Jennifer Fay and Justus Neiland

Tessa Chudy
March 2011
Book Reviews
The fabulous and fascinatingly contested thing that is film noir is not only alive and kicking, it appears to be undergoing something of a re-evaluation in critical thought. Gone is the stubborn insistence that...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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