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  • Features
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    • Knife in the Head: German Social Realism Meets Cinema Verité

      Tanya Goldman
      October 2011
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Home Delivery: The 1st Annual Boulder International Film Festival

      Tanya Goldman
      April 2005
      Festival Reports
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      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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    • Almodrama and the Aesthetics of Excess: Latin American Melodrama: Passion, Pathos and Entertainment edited by Darlene J. Sadlier All About Almodóvar: A Passion for Cinema edited by Brad Epps and Despina Kakoudaki

      Tanya Goldman
      October 2010
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Rose Hobart

      Tanya Goldman
      November 2001
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      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Tanya Goldman
      October 2003
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Tanya Goldman

Tanya Goldman

Tanya Goldman is a PhD Candidate in the department of Cinema Studies at New York University. Her work and reviews have appeared in Feminist Media Histories, Film Quarterly, Jump Cut, and Senses of Cinema. She is currently the graduate representative for the Society of Cinema and Media Studies’ Nontheatrical Film Scholarly Interest Group (SIG) and she has served as a member of the Peabody Awards nominating committee for documentary television programming.

African American Film

Constructing An African-American Film History In the Absence of Films: Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity, by Allyson Nadia Field

Tanya Goldman
July 2016
Book Reviews
Allyson Nadia Field’s Uplift Cinema excavates the lost history of African-American filmmaking in the first half of the 1910s, uncovering a surprisingly diverse body of genres – from local film and sponsored pro...

Rerouting Early Cinema History: Education in the School of Dreams: Travelogues and Early Nonfiction Film by Jennifer Lynn Peterson

Tanya Goldman
March 2015
Book Reviews
In the first decade of the twentieth century, moving images were a ubiquitous popular culture form, a fixture of fairgrounds, vaudeville houses, and emergent stand-alone nickelodeon venues. As one of many “chea...

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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