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    • Los Angeles Plays Itself: Paul Thomas Anderson's Inherent Vice

      Shekhar Deshpande
      March 2015
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Shekhar Deshpande
      January 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
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      Shekhar Deshpande
      January 2003
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      Florian Zappe
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      Patrick F. Campos
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      Steve Johnson
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      Ashish Dwivedi
      November 2025
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      Shekhar Deshpande
      May 2022
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      Shekhar Deshpande
      July 2010
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Shekhar Deshpande
      August 2023
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Ashish Dwivedi
      May 2026
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      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      Shekhar Deshpande
      February 2006
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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      Darragh O’Donoghue
      July 2026
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      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Shekhar Deshpande

Shekhar Deshpande

Shekhar Deshpande is Professor of Media and Communication at Arcadia University in Glenside, in the US. He is the co-author with Meta Mazaj of World Cinema: A Critical Introduction (Routledge, 2018) and author of forthcoming Anthology Film and World Cinema (Bloomsbury). He has published essays in Studies in World Cinema, Studies in European Cinema, and Widescreen.

The Realm of the Sensible and the Short Film: The 67th International Short Film Festival Oberhausen

Shekhar Deshpande
July 2021
Festival Reports
The 67th edition of the International Short Film Festival Oberhausen went online for the second successive year, this time with wider ambitions. It expanded the competition program from five to eight sections, ...

The Ontology of Windows and Cinema in the Pandemic: e-flux and International Short Film Festival Oberhausen’s Film Series 2020

Shekhar Deshpande
May 2021
Feature Articles
WHOEVER leads a solitary life and yet now and then wants to attach himself somewhere….. he will not be able to manage for long without a window looking on to the street. -Franz Kafka If only someone would w...

The Afterlife of War: The 15th Sarajevo Film Festival

Shekhar Deshpande
December 2009
Festival Reports
In many respects the Sarajevo Film Festival is the antithesis of “glamorous” film festivals such as Cannes or Toronto. In a story that was widely circulated, Associated Press highlighted it as a festival that w...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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