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      Acting “Genius”: Judy Davis

      Saër Maty Bâ
      October 2003
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Saër Maty Bâ
      May 2021
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Anderson, Lindsay

      Saër Maty Bâ
      December 2017
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Saër Maty Bâ
      November 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • All the Feels: The 48th International Film Festival Rotterdam

      Saër Maty Bâ
      March 2019
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Saër Maty Bâ
      January 2021
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Street of Shame

      Saër Maty Bâ
      October 2004
      CTEQ Annotations on Film
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    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Saër Maty Bâ

Saër Maty Bâ

Dr Saër Maty Bâ is a Teaching Fellow of Film at the University of St Andrews where he convenes modules in Film History, World Cinema, and Film Theory.

Building Bridges: The Cinema of Jean Rouch edited by Joram ten Brink

Saër Maty Bâ
December 2009
Book Reviews
Joram ten Brink’s interest in French Ethnographer-Cinéaste Jean Rouch’s (1918-2004) work “resurfaced” after the latter’s death in Africa. In October 2004, he organised the highly successful conference Building ...

Transnational Mission, International Dynamics: A Report on the International Film Festival Workshop

Saër Maty Bâ
July 2009
Festival Reports
4 April 2009 Centre for Film Studies (CFS), University of St Andrews, Scotland This workshop was a knowledge-transfer and outreach event, part of Dynamics of World Cinema: Transnational Channels of Global ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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