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      A Buñuel Scrapbook: The Last Script: Remembering Luis Buñuel (1) and Calanda: 40 Years Later

      Rhiannon Dalglish
      July 2009
      Feature Articles
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival

      Rhiannon Dalglish
      December 2015
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
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    • What is New about “New Europe” in Contemporary European Cinema?: East, West and Centre:. Reframing Post-1989 European Cinema by Michael Gott and Todd Herzog (eds.)

      Rhiannon Dalglish
      September 2016
      Book Reviews
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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    • Fighting for Their Right to Party: Roger Corman’s The Wild Angels

      Rhiannon Dalglish
      May 2013
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Rhiannon Dalglish
      December 2003
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Rhiannon Dalglish

Rhiannon Dalglish

Rhiannon Dalglish has a Bachelor of Arts majoring in Screen Studies from the University of Melbourne.

Ruin (Michael Cody & Amiel Courtin-Wilson, 2013)

Rhiannon Dalglish
October 2018
CTEQ Annotations on Film
Debuting at the Venice Film Festival in 2013 and winning the Orizzonti sidebar’s Special Jury Prize, Ruin (Michael Cody & Amiel Courtin-Wilson, 2013) promptly became the darling of film festival juries, if ...
The language of design

The Language of Design: Harry Seidler: Modernist (Daryl Dellora, 2016)

Rhiannon Dalglish
September 2017
CTEQ Annotations on Film
Premiering at the Australian embassy in Paris on 7 September 2016, Harry Seidler: Modernist (Daryl Dellora, 2016) documents the life of an architect both loved and loathed. Born in Vienna in 1923, Harry Seidler...
Morgiana

A Tail and Two Sisters: Morgiana (Juraj Herz, 1972)

Rhiannon Dalglish
June 2017
CTEQ Annotations on Film
In 1975, cult horror icon Karen Black played two sisters, Millicent and Therese, in a chapter of Dan Curtis’s horror film anthology, Trilogy of Terror. Dark-haired, suspicious Millicent is as repressed as showy...
article placeholder

No Business Like Shoah Business: The 19th Festival of Jewish Cinema

Rhiannon Dalglish
April 2009
Festival Reports
5-23 November 2008 Melbourne In a perfect world, Australian filmgoers would be juggling super-sized boxes of buttery popcorn and buckets of icy cola syrup, and settling into plush theatre seats to wat...

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