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    • “Yes, we were utopians; in a way, I still am...”: An Interview with Jean-Louis Comolli (Part 1)

      Nicholas Bugeja
      April 2012
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Eastern Connection II

      Nicholas Bugeja
      March 2000
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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    • Bergman, Skolimowski and European Modernism: Ingmar Bergman’s The Silence: Pictures in the Typewriter, Writers on the Screen by Maaret Koskinen Jerzy Skolimowski: The Cinema of a Nonconformist by Ewa Mazierska

      Nicholas Bugeja
      October 2010
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      The Naked Kiss

      Nicholas Bugeja
      February 2007
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      March 2003
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      October 2020
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      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Nicholas Bugeja

Nicholas Bugeja

Nicholas Bugeja is a writer and editor. He has written for the ACMI blog, Film Matters and Overland. Nicholas is particularly interested in 1970s American cinema, post-war Japanese cinema, Indigenous Australian cinema, and the links between film and philosophy.

A journey through 1930s Japan: Mr. Thank You (Hiroshi Shimizu, 1936)

Nicholas Bugeja
April 2020
CTEQ Annotations on Film
The bus driver (Ken Uehara) at the heart of Mr Thank You derives his eponymous sobriquet from what he says to those roving through rural Japan when they let his bus pass. “Thank you,” the bus driver invariably ...

Romance, escapism and war in Ornamental Hairpin (Hiroshi Shimizu, 1941)

Nicholas Bugeja
April 2020
CTEQ Annotations on Film
In Hiroshi Shimizu’s 1941 film, the titular object of the ornamental hairpin firmly holds the story in place; the lynchpin of it, so to speak. On a fateful day at an isolated yet serene rural inn, Mr Nanmura (C...

The Past, Present and Future of Toomelah (Ivan Sen, 2011)

Nicholas Bugeja
October 2019
CTEQ Annotations on Film
The bulk of Ivan Sen’s cinematic oeuvre – documentary and fiction (not that there is always great disparity between the two) – converges around a set of core themes: the intractable legacy of British colonialis...

Death, Neglect and Conspiracy in Mystery Road (Ivan Sen, 2013)

Nicholas Bugeja
October 2019
CTEQ Annotations on Film
A dead Indigenous girl, no more than 16 years of age, is discovered in a drain underneath a highway in the aptly named Massacre Creek area. The drain is flanked by the wide, impossible expanses of outback Austr...

A Multitude of Meanings: The Long Take: Critical Approaches, ed. John Gibbs and Douglas Pye

Nicholas Bugeja
March 2019
Book Reviews
In the cinema, the long take is an instrument of multifaceted – sometimes paradoxical – power. In a film like Ladri di Biciclette (Bicycle Thieves, Vittorio de Sica, 1948) or Deux jours, une nuit (Two Days, One...

A City in Transition in Taipei Story (Edward Yang, 1985)

Nicholas Bugeja
October 2018
CTEQ Annotations on Film
The principal discovery being made by Taiwanese directors is their own history This new field of inquiry must negotiate the coexistence of colonizer with colonized; Confucianism with capitalism, democracy, an...

Love and Suffocation in Man Is Not a Bird (Dušan Makavejev, 1965)

Nicholas Bugeja
October 2018
CTEQ Annotations on Film
Makavejev aims to tear down and rebuild the basic blocks of moviemaking itself. Toggling easily, even imperceptibly, between fiction and documentary, his films can appear to be vérité portraits of everyday life...

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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