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  • Features
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    • The Roving ‘I’: Ambiguous Subjectivity in Eric Rohmer’s ‘Six Moral Tales’

      Nadia Buick
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
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      Spotlights in the Dark – Argentine Films at the Buenos Aires IV International Festival of Independent Cinema Hit by the Crisis

      Nadia Buick
      May 2002
      Festival Reports
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
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    • Bride and Prejudice (Gurinder Chadha, 2004)

      Postcolonial Cinema Studies, edited by Sandra Ponzanesi and Marguerite Waller

      Nadia Buick
      September 2013
      Book Reviews
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Helen, Queen of the Nautch Girls

      Nadia Buick
      May 2003
      CTEQ Annotations on Film
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    • “She smelled of Tokyo”: Sensory connections in The Masseurs and a Woman (1938)

      Danica van de Velde
      April 2021
    • Shimizu Redivivus: A Woman Crying in Spring (Nakinureta haru no onna yo, Hiroshi Shimizu, 1933)

      Joseph Sgammato
      April 2021
    • A Hero of Tokyo (Tôkyô no eiyû, Hiroshi Shimizu, 1935)

      Hayley Scanlon
      April 2021
    • I Kiss Your Hand, Madame (Robert Land, 1929)

      Eloise Ross
      April 2021
    • The Major and The Minor (Billy Wilder, 1942)

      Karli Lukas
      April 2021
    • Unfolding Florence – The Many Lives of Florence Broadhurst (Gillian Armstrong, 2006)

      Jytte Holmqvist
      April 2021
  • Great Directors
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    • Linklater, Richard

      Nadia Buick
      July 2003
      Great Directors
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
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more articles... more articles... more articles... more articles... more articles...

Author Nadia Buick

Nadia Buick

Dr Nadia Buick is a curator, writer and researcher working across fashion, art history and cultural studies. She is co-director of The Fashion Archives, and co-author of Remotely Fashionable: A Story of Subtropical Style (2015).

Alice in Wonderland fashion

Fashion Wonderland: Disney, Dior and the Little Blue Dress

Nadia Buick
March 2018
Alice in Wonderland
To consider the relationship between film and fashion is to imagine a parade of glamorous, golden-age leading ladies – Marlene Dietrich, Audrey Hepburn or Grace Kelly – all of whom are frequently given the titl...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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