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      Recuperation and Rear Window

      Leah Anderst
      December 2003
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
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      Jens Andermann
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      Leah Anderst
      January 2021
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      Gary M. Kramer
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      Tùng Bạch Đăng
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      Arindam Sen
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      Leah Anderst
      May 2002
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      Patrick F. Campos
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      November 2025
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      Susana Bessa
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      Stefan Solomon
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      Maja Korbecka
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      Botagoz Koilybayeva
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      The Matrix of Visual Culture – Working with Deleuze in Film Theory by Patricia Pisters

      Leah Anderst
      December 2003
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      Mark Seton
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      Wheeler Winston Dixon
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      Ashish Dwivedi
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      Scott Robinson
      May 2026
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      Leah Anderst
      September 2017
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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      Gregory Bennett
      August 2026
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      Desirae Embree
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Author Leah Anderst

Leah Anderst

Leah Anderst is Assistant Professor of English at Queensborough Community College, CUNY, where she teaches courses in writing, literature, and film studies. Her work has appeared in Narrative, Orbis Litterarum, Senses of Cinema, Teaching English in the Two-Year College, and Quarterly Review of Film and Video. A collection of essays she edited, The Films of Eric Rohmer: French New Wave to Old Master, was published in March 2014 by Palgrave.

Perceval

Perceval le Gallois (Éric Rohmer, 1978): Channeling Chrétien de Troyes Through Cinema

Leah Anderst
March 2017
CTEQ Annotations on Film
Following the success of his Six Moral Tales, Éric Rohmer turned his attention backward into history, and with Perceval, to one of the earliest narratives in French literature. The story of Perceval originates ...

Memory’s Chorus: Stories We Tell and Sarah Polley’s Theory of Autobiography

Leah Anderst
December 2013
Feature Articles
Fig 1. Sarah Polley filming with a Super 8 camera in Stories We Tell Near the beginning of Sarah Polley’s newest film, Stories We Tell (2012), an autobiographical documentary about her family and her life h...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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