• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Features
    Random
    • Son of Atlantis: prologues and epilogues with Sokurov

      Kaveh Bassiri
      December 2011
      Feature Articles
    Recent
    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
    Random
    • article placeholder

      Toronto 2001: A Film Festival Diary

      Kaveh Bassiri
      November 2001
      Festival Reports
    Recent
    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
    Random
    • Violent Women in Contemporary Cinema

      Two or Three Things I Know About Her: Violent Women in Contemporary Cinema, by Janice Loreck

      Kaveh Bassiri
      December 2016
      Book Reviews
    Recent
    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
  • CTEQ
    Random
    • Burden of Dreams

      Challenging the Impossible: Les Blank’s Burden of Dreams

      Kaveh Bassiri
      March 2016
      CTEQ Annotations on Film
    Recent
    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
    Random
    • Wishman, Doris

      Kaveh Bassiri
      October 2002
      Great Directors
    Recent
    • Scott, Tony

      Jeremy Carr
      October 2020
    • Menzel, Jiří

      Brendan Black
      October 2020
    • Wise, Robert

      Adrian Schober
      April 2020
    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
  • World Poll
  • Support Senses
  • Shop
  • Subscribe
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • Special Dossiers
  • Interviews
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
more articles... more articles... more articles... more articles... more articles...

Author Kaveh Bassiri

Kaveh Bassiri

Kaveh Bassiri is a writer and teacher who has taught film classes and run film series at University of Arkansas, primarily focusing on Iranian cinema. His recent articles include an entry on “Masculinity in Iranian Cinema” for Global Encyclopedia of LGBTQ History and the forthcoming “Shifting Roles: Iranian women in focus at Tehran’s 2016 Fajr Film Festival” for theJournal of Middle East Women's Studies.

Elle The Salesman

Shame and Revenge in Elle’s Paris and The Salesman’s Tehran

Kaveh Bassiri
June 2017
Feature Articles
The 2016 Cannes Film Festival closed with screenings of Asghar Farhadi’s Forushande (The Salesman, 2016) and Paul Verhoeven’s Elle (2016), which were both competing for the Palme d’Or. The pairing of these film...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff