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      Jean Rouch: Cinéma-vérité, Chronicle of a Summer and The Human Pyramid

      Katherine Balsley
      March 2002
      Feature Articles
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      Arielle Friend
      May 2025
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      Salvador Carrasco
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      Malinalli López Arreguín
      May 2025
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      Alborz Mahboobkhah
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      Alexia Kannas
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      Yiju Huang
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      Katherine Balsley
      January 2023
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      Amanda Barbour
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      Hamed Sarrafi
      May 2025
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      Shan Tong
      May 2025
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      Gary M. Kramer
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      Gerd Gemünden & Silvia Spitta
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      Katherine Balsley
      March 2003
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      Eli Vannata
      November 2024
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      Matt Losada
      August 2024
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      Melanie Williams
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      Tony Williams
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      Sherry Johnson
      May 2024
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      Katherine Balsley
      May 2025
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      Mark Lager
      November 2024
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      Jaimey Fisher
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      Gabrielle Stecher
      November 2023
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      Eloise Ross
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      Wheeler Winston Dixon
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      Katherine Balsley
      April 2010
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      Dirk de Bruyn
      May 2025
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      Zifei Wang
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      Cerise Howard
      May 2025
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      Vanessa Nyarko
      May 2025
    • A Changing of the Guard? Some Thoughts on New German Films at the 75th International Berlin Film Festival

      Marco Abel
      May 2025
    • Dreams and Nightmares: The 2025 Berlinale

      Daniel Fairfax
      May 2025
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    • A Clockwork Orange (Kubrick, 1971)

      Styles of Substance: The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema, by Robert P. Kolker

      Katherine Balsley
      June 2018
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      Tony McKibbin
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      Troy Michael Bordun
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      Duncan Caillard
      January 2025
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      Tiia Kelly
      January 2025
    • A Title Announcing a Review: A Complicated Passion: The Life and Work of Agnès Varda, by Carrie Rickey

      Wheeler Winston Dixon
      January 2025
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      Katherine Balsley
      July 2024
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      David Melville
      May 2025
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      Ian Olney
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      John Hill
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      Alex Williams
      April 2025
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      Sandra E. Lim
      March 2025
    • The Honeymoon Killers

      Martyn Bamber
      March 2025
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Author Katherine Balsley

Katherine Balsley

Katherine Balsley graduated with a BFA in Film from the University of Wisconsin-Milwaukee in 2003, and earned an MFA in Mass Communication and Media Arts from Southern Illinois University-Carbondale in 2009. Her films and videos have been exhibited across the United States and abroad, including the Athens International Film and Video Festival, the Black Maria Film Festival, the Reel Earth Environmental Film Festival in New Zealand and the Jecheon International Film and Music Festival in South Korea. Currently, she is an assistant professor of film at Georgia Gwinnett College near Atlanta.

Subjectivity, Spectatorship and Social Change: The Act of Documenting: Documentary Film in the 21st Century, by Brian Winston, Gail Vanstone and Wang Chi

Katherine Balsley
June 2018
Book Reviews
In the fall of 2017, I was approached by a colleague at the public liberal arts college where I teach film studies and production. My colleague, a political science professor, wanted to know if I would like to ...
essay films

Defining the Cinematic Essay: The Essay Film by Elizabeth A. Papazian & Caroline Eades, and Essays on the Essay Film by Nora M. Alter & Timothy Corrigan

Katherine Balsley
December 2017
Book Reviews
  From 2011 until 2015, I taught a course entitled “Documentary Production” at a small liberal arts college north of Chicago. Rather than basing the class entirely on production techniques, I included aspects ...
World Cinema

Understanding Genre in a Globalized World: World Cinema through Global Genres, by William V. Costanzo

Katherine Balsley
December 2015
Book Reviews
William V. Costanzo’s World Cinema through Global Genres is comprehensive and truly enjoyable. At 431 pages it never becomes dull or opaque, and instead provides clear, detailed investigations of world genres a...

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