Author J. David Slocum

J. David Slocum

J. David Slocum is Associate Dean in the Graduate School of Arts and Science at New York University, where he teaches Cinema Studies. He is the editor of Rebel Without a Cause: Approaches to a Maverick Masterwork (SUNY Press, 2005).

Rebel Without a Cause

J. David Slocum

June 2011

CTEQ Annotations on Film

The cinema of Nicholas Ray, even in early efforts like They Live by Night (1948), In a Lonely Place (1950), Flying Leathernecks (1951), and The Lusty Men (1952), ranges across conventional Hollywood genres ...

Rebel Without a Cause

J. David Slocum

February 2007

CTEQ Annotations on Film

Rebel Without a Cause (1955 USA 111 mins) Prod Co: Warner Bros. Prod: David Weisbart Dir: Nicholas Ray Scr: Stewart Stern Phot: Ernest Haller Ed: William Zeigler Art Dir: Malcolm Bert Mus: Leonard Rosenm...

Zanzibar International Film Festival 2003

J. David Slocum

October 2003

Festival Reports

Zanzibar is an island off the coast of east Africa that, with mainland Tanganyika, formed the United Republic of Tanzania in 1964. For centuries, the island, known locally as Unguja, was an important stop o...

Chantal Akerman’s Là-bas: The Suspended Image and the Politics of Anti-Messianism

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

Intimate Intransigence: the 11^th Jeonju International Film Festival

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

Tsai Ming-Liang by Jean-Pierre Rehm, Olivier Joyard, and Danièle Rivière

Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

Du côté de la côte

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Kobayashi, Masaki

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

Rebel Without a Cause

Rebel Without a Cause

Zanzibar International Film Festival 2003