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      Ioannis Mookas
      September 2012
      Feature Articles
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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022
    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022
    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
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    • The Unbearable Object of Liminality: A Conversation with Zheng Lu Xinyuan

      Ioannis Mookas
      July 2020
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
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      Ioannis Mookas
      April 2005
      Great Directors
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Ioannis Mookas
      May 2022
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      Joy McEntee
      May 2022
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      Jeremy Carr
      May 2022
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      Jessica Balanzategui
      January 2022
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      A Report on the 48th Pula Film Festival and the Current State of the Croatian Film Industry

      Ioannis Mookas
      July 2001
      Festival Reports
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    • Day by Day: IFFR 2022

      Madeleine Collier
      May 2022
    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022
    • Stuck in traffic: IFFR 2022

      Tara Judah
      May 2022
    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
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      Dying to Belong: Gangster Movies in Hollywood and Hong Kong by Martha P. Nochimson

      Ioannis Mookas
      March 2008
      Book Reviews
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
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    • The Junk Shop

      The Ash Heap of Meaning: Juraj Herz’s The Junk Shop (1965)

      Ioannis Mookas
      June 2017
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Ioannis Mookas

Ioannis Mookas

Ioannis Mookas writes regularly on film for Gay City News.

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A World of Wounds: The 18th Human Rights Watch International Film Festival

Ioannis Mookas
November 2007
Festival Reports
14-28 June 2007 Ascend from the tunnel, and there are the scaffolds: that is New York. Block upon block, scaffolding pens the sidewalks and girds the wreckage. What they call development. Where towers do...
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Fires Were Started: An Interview with Noam Gonick

Ioannis Mookas
July 2005
Conversations with Filmmakers
Like fellow Canadian Guy Maddin, Gonick hails from Winnipeg, the city at the heart of Stryker, his visually arresting feature film shot by noted cinematographer Ed Lachman. That and much else about this distinctive film are discussed in depth.
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Dead End Kids: The 16th Human Rights Watch International Film Festival

Ioannis Mookas
July 2005
Festival Reports
June 9-23, 2005 Around Memorial Day in New York, it’s not unusual to hear cinephiles say they’re excited about the upcoming Human Rights Watch International Film Festival (HRWIFF), and then catch thems...
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Midnight at the Oasis: The 9th Cinematexas International Short Film Festival

Ioannis Mookas
October 2004
Festival Reports
From the wide span of the Congress Avenue bridge in Austin, it was possible to mark the autumn equinox this September by gazing up that long avenue at the Texas state capitol building, watching the plum-sta...
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Riders on the Storm: The 15th Human Rights Watch International Film Festival

Ioannis Mookas
July 2004
Festival Reports
Uppermost on everyone's agenda right now, in New York as in the rest of the U.S., is purging our government of the malignancy that has subsumed it. So at five months and counting to election day, it was wit...
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Been Underground So Long, It Looks Like Up to Me: New York Underground Film Festival 2004

Ioannis Mookas
April 2004
Festival Reports
Over seven changeling days in March, during which the bombings of four commuter trains in Madrid left hundreds dead or wounded and sealed the electoral overthrow of Spain's ruling party a mere three days la...

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