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      The Cliff and the Flume

      Ioannis Mookas
      October 2003
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Ioannis Mookas
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      “Crossing cultures, cinematic and other”: A Review of Laleen Jayamanne’s Toward Cinema and Its Double: Cross-Cultural Mimesis

      Ioannis Mookas
      May 2002
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Ioannis Mookas
      October 2020
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Grant Bromley
      October 2020
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      Ioannis Mookas
      April 2004
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      Adrian Schober
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Ioannis Mookas

Ioannis Mookas

Ioannis Mookas writes regularly on film for Gay City News.

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A World of Wounds: The 18th Human Rights Watch International Film Festival

Ioannis Mookas
November 2007
Festival Reports
14-28 June 2007 Ascend from the tunnel, and there are the scaffolds: that is New York. Block upon block, scaffolding pens the sidewalks and girds the wreckage. What they call development. Where towers do...
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Dead End Kids: The 16th Human Rights Watch International Film Festival

Ioannis Mookas
July 2005
Festival Reports
June 9-23, 2005 Around Memorial Day in New York, it’s not unusual to hear cinephiles say they’re excited about the upcoming Human Rights Watch International Film Festival (HRWIFF), and then catch thems...
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Fires Were Started: An Interview with Noam Gonick

Ioannis Mookas
July 2005
Conversations with Filmmakers
Like fellow Canadian Guy Maddin, Gonick hails from Winnipeg, the city at the heart of Stryker, his visually arresting feature film shot by noted cinematographer Ed Lachman. That and much else about this distinctive film are discussed in depth.
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Midnight at the Oasis: The 9th Cinematexas International Short Film Festival

Ioannis Mookas
October 2004
Festival Reports
From the wide span of the Congress Avenue bridge in Austin, it was possible to mark the autumn equinox this September by gazing up that long avenue at the Texas state capitol building, watching the plum-sta...
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Riders on the Storm: The 15th Human Rights Watch International Film Festival

Ioannis Mookas
July 2004
Festival Reports
Uppermost on everyone's agenda right now, in New York as in the rest of the U.S., is purging our government of the malignancy that has subsumed it. So at five months and counting to election day, it was wit...
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Been Underground So Long, It Looks Like Up to Me: New York Underground Film Festival 2004

Ioannis Mookas
April 2004
Festival Reports
Over seven changeling days in March, during which the bombings of four commuter trains in Madrid left hundreds dead or wounded and sealed the electoral overthrow of Spain's ruling party a mere three days la...

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