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    • Under the Cover of Cloud: An Interview with Ted Wilson and James Vaughan

      Giacomo Boitani
      December 2018
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      Thomas Austin
      May 2022
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      Emmalea Russo
      May 2022
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      Caitlin Wilson
      May 2022
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      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
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      Alfio Leotta & Missy Molloy
      May 2022
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      Giacomo Boitani
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      Savina Petkova
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      Victor Paz
      May 2022
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      Madeleine Collier
      May 2022
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      Nolan Kelly
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      Brigitta Wagner
      May 2022
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      Giacomo Boitani
      March 2011
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
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      Dan Golding
      July 2021
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      Giacomo Boitani
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      My Un-queer Pusan: Or How I Got into an Argument with The Unforgiven: The 10th Pusan International Film Festival

      Giacomo Boitani
      February 2006
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      Madeleine Collier
      May 2022
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      Tara Judah
      May 2022
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      Tara Judah
      May 2022
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      Anuj Malhotra
      May 2022
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      Marc Raymond
      May 2022
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      Ricardo Vieira Lisboa
      May 2022
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      Giacomo Boitani
      December 2011
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      Kyle Barrowman
      May 2022
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      Tony McKibbin
      January 2022
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      Elroy Rosenberg
      January 2022
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      Steven Shaviro
      July 2021
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      Adrian Schober
      July 2021
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      Megan Carrigy
      July 2021
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      The River

      Giacomo Boitani
      March 2009
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      Wheeler Winston Dixon
      May 2022
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      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Giacomo Boitani

Giacomo Boitani

Born in Rome in 1981, Giacomo Boitani is a Film Studies scholar who was awarded in 2012 a Ph.D. by the National University of Ireland, Galway for his research on the relationship between Italian post-war neorealism and the Economic Miracle genre known as ‘comedy Italian style’. His articles on Italian cinema have appeared in Alphaville: Journal of Film and Screen Media and in the Cultural Studies journal Status Quaestionis. His work on Mario Monicelli’s comedy La Grande Guerra (1959) has been published in Patrizia Piredda’s edited collection The Great War in Italy: Representation and Interpretation.

Roma Citt

Fascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory by Giacomo Lichtner

Giacomo Boitani
September 2013
Book Reviews
Postwar neorealism is often and rightfully framed as the cinematic phenomenon that shaped the course of Italian film for the rest of the 20th century; it is not a coincidence that some of the major academic stu...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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