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    • Darryl F. Zanuck: 19th Century-Fox

      George Papadopoulos
      July 2010
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      George Papadopoulos
      October 2019
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      Maria Giovanna Vagenas
      March 2023
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      George Papadopoulos
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      Sherry Johnson
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      Giampiero Frasca
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      Jeremy Carr
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      Hal Young
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      Sara Delshad
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      Sanya Osha
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      George Papadopoulos
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      Jacob Agius
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      George Papadopoulos
      October 2018
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Phantoms of Liberty: Apichatpong Weerasethakul edited by James Quandt

      George Papadopoulos
      April 2010
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      George Papadopoulos
      October 2014
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      Andrew Le
      April 2023
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      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
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more articles... more articles... more articles... more articles... more articles...

Author George Papadopoulos

George Papadopoulos

George Papadopoulos is the Manager of Finance and Acquisitions for Newvision Film Distributors and has completed a Master of Marketing thesis analyzing modern art-house audiences.

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Festival De Cannes 2002 – A Report

George Papadopoulos
July 2002
Festival Reports
May 15-26 2002 Having attended the Cannes Film Festival as a film distributor on the lookout for films with the promise of commercial success, I was unable to see everything I wanted. However, I think s...
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What Audiences Want

George Papadopoulos
April 2001
Feature Articles
The fickle nature of audiences leave distributors in constant despair.
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To Market, To Market

George Papadopoulos
December 2000
Festival Reports
George recently returned from two of the biggest annual film markets in London and Milan.
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Why the "Best of the Fest" May Never Get a Theatrical Release

George Papadopoulos
September 2000
Festival Reports
The distributor's perspective: an intriguing account into why cutting-edge world cinema rarely makes it onto our local screens.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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