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      Billy Wilder: The Chiaroscuro Artist

      Dee Jefferson
      May 2002
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Spotlight on the 52nd Melbourne International Film Festival: Festival Wrap-Up

      Dee Jefferson
      July 2003
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah by Gabrielle Murray

      Dee Jefferson
      October 2005
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Dee Jefferson
      July 2000
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Dee Jefferson
      July 2009
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      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Dee Jefferson

Dee Jefferson

Dee Jefferson is the Arts and Culture Editor of Time Out Sydney. She was previously Arts and Film Editor of Sydney street press publication The Brag (2009-2013). She founded and directed the Reelife Short Film Festival (2001-2005), was part of the Berlinale Talent Press (2005), and worked as Researcher and Materials Coordinator at Sydney Film Festival (2008). She has been talking and writing about film for over ten years and for various outlets, including ABC 702, Inside Film, Filmink, Time Out Sydney and Beat (Melbourne) – and still finds The Big Lebowski and Withnail & I to be Pretty Fucking Amazing on a regular basis.

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Now We are 60: Where are We? The 60th Sydney Film Festival

Dee Jefferson
September 2013
Festival Reports
Unless you’ve worked inside the machine, it’s impossible to be aware of, let alone understand, the politics of the modern film festival. But it’s impossible not to wonder a little bit about what goes on, when o...

The Best of All Possible Worlds: The 4th Possible Worlds Canadian Film Festival

Dee Jefferson
April 2009
Festival Reports
  20-26 August 2008 Sydney The obvious coups for the programmers of this year’s Canadian Film Festival were L’Âge des Ténèbres (Days of Darkness), Denys Arcand’s new film, and Guy Maddin’s My Winn...
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Six Degrees of Separation: The Small Possible Worlds of Canadian Film: The 2nd Possible Worlds Film Festival

Dee Jefferson
May 2008
Festival Reports
29 November – 5 December 2007 Possible Worlds, Sydney’s Canadian Film Festival has, unforeseeably, become amongst the best of the city’s burgeoning annual “international” film festivals, which include th...

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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