Parametric Narration and Optical Transition Devices: Hou Hsiao-hsien and Robert Bresson in Comparison Colin Burnett October 2004 Feature Articles A Bordwellian analysis of parametric narration in Pickpocket and Flowers of Shanghai demonstrates how Hou rewrites the “Hollywood rule” of fades.
Going to the Theatre at the Movies: Re-Examining the Film Criticism of Otis Ferguson Colin Burnett February 2004 Feature Articles Much more than a historical curiosity, the critical work of Otis Ferguson remains exemplary in its flexible style, technical authority and commitment to its readership.
