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    • The Long Take as a Reaction to the Past in Contemporary Romanian Cinema

      Christos Tsiolkas
      June 2014
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Christos Tsiolkas
      January 2025
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
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      Botagoz Koilybayeva
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      Gary M. Kramer
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      Christos Tsiolkas
      February 2007
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      Florian Zappe
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      Patrick F. Campos
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      Steve Johnson
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      Ashish Dwivedi
      November 2025
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      Christos Tsiolkas
      May 2023
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      Christos Tsiolkas
      June 2018
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      Marc Raymond
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      Daichi Ogi
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Concrete Passages: Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton

      Christos Tsiolkas
      March 2017
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Ashish Dwivedi
      May 2026
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      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      Christos Tsiolkas
      July 2009
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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Author Christos Tsiolkas

Christos Tsiolkas

Christos Tsiolkas is a novelist, playwright, critic and screenwriter. His novels include Loaded, Dead Europe and The Slap. He has been a passionate cineaste since Ivan Hutchinson led him through the looking glass when he was just a little boy.

Local Gods and Hometown Demons

Christos Tsiolkas
November 2025
My Formative Queers: Stories of the Music Videos that Made Us Queer
Editors’ note: The following is the written transcript of a speech originally delivered by the author at My Formative Queers on 14 November 2024.  Looking back, it seems I have always responded to the sensua...
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Bad Australian Cinema, or How Watching One Perfect Day Made Me Want to Make a Bomb

Christos Tsiolkas
April 2004
Australian Cinema
Just what do recent Australian feature films amount to? According to Tsiolkas, bar an exception or two, not very much at all, leaving him with only a call to action.
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The Atheist’s Shoah – Roman Polanski’s The Pianist

Christos Tsiolkas
May 2003
Feature Articles
An analysis of Polanski's film in light of the question: can narrative cinema, with sensitivity and vision, conjure the complexity of history and, specifically, the "unspeakable" tragedy of the Holocaust?
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11’09”01- September 11: The Rest is Silence

Christos Tsiolkas
January 2003
Feature Articles
Whilst appraising each episode and pointing to this film's unevenness, Christos argues overall for the importance of aesthetic responses to global political events like September 11.
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Through Clouds: A Discussion of Kandahar and Beneath Clouds

Christos Tsiolkas
May 2002
Feature Articles
A revealing, perceptive contrast of two recent 'road movies' from different sides of the globe.
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Meet John Cassavetes

Christos Tsiolkas
September 2001
Book Reviews
A review of Ray Carney's recent books on Cassavetes and a heartfelt homage to the director.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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