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      Interview with Manohla Dargis

      Chris Berry
      December 2002
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • Ghost Town Anthology: An Interview with Denis Côté

      Chris Berry
      July 2020
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Chris Berry
      January 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Chris Berry
      October 2022
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      Joy McEntee
      May 2022
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      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      Chris Berry
      March 2015
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      Leonardo Goi
      January 2023
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      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

      Saige Walton
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
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      Theorising National Cinema edited by Valentina Vitali and Paul Willemen

      Chris Berry
      November 2006
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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      Un Chien Andalou

      Chris Berry
      February 2001
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      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Chris Berry

Chris Berry

Chris Berry teaches at King's College London. He has written widely on East Asian cinema, and in particular Chinese cinema.

A Vintage Year – the 21st Far East Film Festival

Chris Berry
July 2019
Festival Reports
Udine’s Far East Film Festival celebrated its twenty-first birthday with a vintage selection of excellent films. Despite a public funding cut of 150,000 euros, FEFF screened 77 films from East Asia with over 60...
No. 1 Chung Yung Street (Sung Kee Chiu, 2018)

New Achievements, New Challenges: The 20th Far East Film Festival

Chris Berry
June 2018
Festival Reports
Chalking up 20 editions is a big achievement for any film festival. After surviving the 2008 financial crisis and growing to include a significant range of industry and market-related events, FEFF had a rightly...
Far East Film Festival

The China Factor: The 18th Far East Film Festival

Chris Berry
July 2016
Festival Reports
Looking back at my review of the 17th Far East Film Festival (Senses of Cinema no.75), most of my themes from last year extend into this year. There were strong archive and retrospective sidebars again, with re...
Far East Film Festival 2015 review

Udine Believes in Tears: The 17th Far East Film Festival

Chris Berry
June 2015
Festival Reports
The general mood at the Far East Film Festival (FEFF) in Udine this year was tearful – but in a good way. First, there were tears of joys at the festival’s health and prosperity. FEFF has ridden out the storm o...

Hanging on in There:  Hong Kong Popular Cinema Featured at the 16th Far East Film Festival

Chris Berry
June 2014
Festival Reports
“Hong Kong Calling!” Europe’s leading festival of Asian popular cinema, the Far East Film Festival (FEFF) in Udine, Italy, announced the theme for its 16th edition with this press release strapline in early Mar...

Mainland Chinese Genre Cinema Comes of Age: The 15th Far East Film Festival

Chris Berry
June 2013
Festival Reports
Udine's Far East Film Festival (FEFF) is Europe's only festival focused on East Asian popular cinema. It is also one of the most pleasant and relaxed to attend. Winter has finally gone and you can sit outside b...

Save the Panda: the 14th Far East Film Festival

Chris Berry
July 2012
Festival Reports
The Far East Film Festival has ever-increasing audience numbers and takes place at the more prosperous end of the Italian peninsula, in the charming Friuli town of Udine. Nevertheless, it is not immune from the...

Taking Laughter Seriously: The 13th Far East Film Festival

Chris Berry
June 2011
Festival Reports
I have a confession to make. I have known about Udine’s Far East Film Festival (FEFF) since its inception in 1999. But somehow I had never made it until this year. After a shamefully short flying visit, I know ...

When is a film festival not a festival?: The 6th China Independent Film Festival

Chris Berry
December 2009
Festival Reports
When is a film festival not a film festival? In China the answer is, when it’s an exhibition. The Chinese title of the China Independent Film Festival (CIFF) is “Zhongguo Duli Yingxiang Niandu Zhan”. That trans...

Centre of the East: The 44th Karlovy Vary International Film Festival

Chris Berry
September 2009
Festival Reports

Bigger than Ever: The 12th Shanghai International Film Festival

Chris Berry
September 2009
Festival Reports
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10 Years Young: The Shanghai International Film Festival

Chris Berry
November 2007
Festival Reports
16-24 June 2007 What makes a film festival successful today? My first visit to Shanghai International Film Festival (SIFF) has made me wonder. SIFF celebrated its tenth anniversary in June, so I decided ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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