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    • Loss and Absence in Still Life

      Cara O'Connor
      January 2022
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Cara O'Connor
      May 2021
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
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      Botagoz Koilybayeva
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      Gary M. Kramer
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      Cara O'Connor
      May 2021
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      Patrick F. Campos
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      Cara O'Connor
      October 2019
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      Marc Raymond
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      Daichi Ogi
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      Susana Bessa
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      Stefan Solomon
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Cinema and Culture Theory: Film Theory: Critical Concepts in Media and Cultural Studies edited by Philip Simpson, Andrew Utterson and K.J. Shepherdson

      Cara O'Connor
      February 2005
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Cara O'Connor
      November 2013
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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      Darragh O’Donoghue
      July 2026
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      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Cara O'Connor

Cara O'Connor

Cara O'Connor is an independent writer and artist living in Brooklyn. Her short video I Wish I Knew How to Play Soccer was screened internationally, including at the Museum of Modern Art and the French Cup in Nantes.

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Multichannel Memory: Notes on a Conversation with Duncan Roy

Cara O'Connor
April 2004
Feature Articles
Using “multichannel” techniques, Duncan Roy's AKA tells the autobiographical story of a runaway teenager – and reveals the inseparability of memory, narrative and "self".
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When You Cut Up the Frame: An Interview with Julie Talen

Cara O'Connor
February 2004
Feature Articles
In this wide-ranging interview, Talen discusses her recent feature Pretend and the theory and practice of "multichannel" visual storytelling.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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