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      Iconic Moments in Cinema: Australia, Part 1

      Brian Hu
      February 2009
      Feature Articles
    Recent
    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
  • Interviews
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    • Encounter at the Editing Table – The Film Archive as a Memory of One's Own Existence

      Brian Hu
      July 2019
      Interviews
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    • Pom Bunsermvicha interview: “Being part of a family“

      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
  • Great Directors
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    • McCarey, Leo

      Brian Hu
      December 2002
      Great Directors
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    • Curtiz, Michael

      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
    • Riefenstahl, Leni

      Jeremy Carr
      July 2021
    • Obayashi, Nobuhiko

      Hal Young
      May 2021
  • Great Actors
  • Festival Reports
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    • AFI FEST-AFM: The Perils of Online

      Brian Hu
      January 2022
      Festival Reports
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
    • Sharing Sensations with a Community of Strangers: The 68th Sydney Film Festival

      Joshua J. Taylor
      January 2022
  • Book Reviews
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    • Face, Flesh, Film: The Face on Film by Noa Steimatsky

      Brian Hu
      June 2018
      Book Reviews
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
  • CTEQ
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    • The Colour of Pomegranates

      Brian Hu
      December 2009
      CTEQ Annotations on Film
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    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
    • An entertainment: Fritz Lang’s Ministry of Fear (1944)

      Andréas Giannopoulos
      May 2022
    • Out of the Shadows: Cloak and Dagger (Fritz Lang, 1946)

      Ian Olney
      May 2022
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Author Brian Hu

Brian Hu

Brian Hu is Assistant Professor of Television, Film, and New Media at San Diego State University. He is the author of Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan (Edinburgh University Press, 2018), and his writing on film has appeared in Screen, Film Quarterly, and Journal of Chinese Cinemas. He is the Artistic Director of the San Diego Asian Film Festival.

“To All Beautiful Losers”: Political Pessimism and the Hong Kong Sports Movie

Brian Hu
July 2020
Feature Articles
This article has been peer-reviewed. In the sports drama Dim ng bou (Weeds on Fire, Chan Chi-fat, 2016), high school principal Lo Kwong-Fai proposes to the administration his idea of forming Hong Kong’s firs...
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The World Before Our Eyes: Taipei International Film Festival

Brian Hu
May 2006
Festival Reports
June 26–July 7, 2005 Is there no better metaphor for the ubiquitous “international film festival” than the theme park at the center of Jia Zhang-ke’s The World (2004)? I’ve seen the film at more than one...
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Formula 17: Testing a Formula for Mainstream Cinema in Taiwan

Brian Hu
February 2005
Feature Articles
After 20 years of producing cinema at each extreme – lowbrow mainstream fodder and a formal, serious and politically engaged cinema – Taiwan has turned out its first cross-over hit in the form of a youthful tale of gay utopia!
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To Each Their Own: Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia edited by Jenny Kwok Wah Lau

Brian Hu
July 2004
Book Reviews
The blanket terms “Asian cinema” and “East Asian cinema” tend to elide the distinctive ways individual nations, regions, and cities have represented themselves in the face of cultural domination. Jenny Kwok Wah...
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Goodbye City, Goodbye Cinema: Nostalgia in Tsai Ming-liang’s The Skywalk is Gone

Brian Hu
December 2003
Feature Articles
Serial alienation in the modern city: a discussion of the multiple "lost objects" of mourning in Tsai Ming-liang's recent short film, ranging from bygone eras of Chinese and Taiwanese cinema to Tsai's own previous features.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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