Search Results for: "Hitchcock"

Critics, programmers and filmmakers from around the globe list their film highlights for 2000.

The release of I Confess in 1953 must have seemed to the Cahiers du cinéma critics who had championed Hitchcock to be a confirmation of all their theories, because it is THE textbook example of the famous "...

I Confess (1953 USA 95mins) Source: CAC Prod Co: Warner Brothers -First National Prod, Dir: Alfred Hitchcock Scr: George Tabori, William Archibald Phot: Robert Burks Ed: Rudi Fehr Art Dir: Edward S. Hawo...

A slice of the biggest film festival here offered, with great discussions on individual films.

Hong Kong independent filmmaker Kal Ng talks about working in Hong Kong.

Echoing Barthes' Mythologies, Herpe places American mainstream cinema under the cultural microscope and provides some sharp insight.

For Santas, the remake falls very flat.

Schneider begins the task of appreciating Van Sant's Psycho.

More of the master, please! An in-depth discussion of this Rivette film.

In this current era of ours, in which war and bloodshed escalate uncontrollably and young adults run through the streets in euphoria at the end of a decade of political oppression (...

Santas attempts to unravel the beautiful strangeness and logic of Kiarostami's Taste of Cherry.

In this vivid and fascinating account, Brad Stevens gives due to the trailer.

Bill Routt reveals "flashes" of modernism in early Australian film.

Untangling issues of entertainment and performance in the films of Cassavetes.

Pickup on South Street (1953 USA 80 mins) Print Source: Prod: Jules Schermer for Twentieth Century-Fox Dir, Scr: Samuel Fuller, from a story by Dwight Taylor Phot: Joe MacDonald Ed: Nick de Maggio Art D...

A Woman's Face (1941 USA 106 mins) Source: NLA/CAC Prod Co: MGM Prod:Victor Saville Dir: George Cukor Scr: Donald Ogden Stewart, Elliot Paul, based on a play by François DeCroisset Phot: Robert Planck Ed: Fr...

During the festival, short reviews and other comments were posted on this page.

There are many types of gay cinema ...

A critique of academic writing.

Some months ago, director Patrice Leconte said negative reviews should be banned. Brad Stevens responds.

A detailed discussion of Dietrich's allure, particularly during the period of collaboration with Sternberg.

Capsule reviews and general discussion on select films screening in the Australian short film competition.

"It took the Mediterranean communities 30 years to make a mark on Australian culture, it does take time you know." Anonymous employee of the Department of Communications, Information Technology and the Arts,...

The 24th edition of the Hong Kong International Film Festival (HKIFF) unspooled from April 12 to 27, 2000. Since its beginnings, a quarter of a century ago, this has been the pre-eminent Asian film festival enc...

April 20 to May 4, 2000 This year, San Francisco was Coppola ga-ga. Opening night saw Virgin Suicides (Sofia Coppola, 1999) consumed like jawbreakers stuffed in Marlon's maw. We like you, Sofia, we reall...

Hell's Kitchen in New York revisited by Marty - an expressionistic extravaganza. But maybe too much so?

Dirty Harry (1971, USA, 102 mins) Source: Warner Bros. Prod Co: A Malpaso Company Production/A Warner Brothers Release Prod, Dir: Don Siegel Scr: Harry Julian Fink & R.M. Fink and Dean Reisner; story by ...

An appreciation of Truffaut the auteur, and especially of his debut film, which launched the career of Jean-Pierre Léaud.

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. * * * The cinema is to space what t...

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. * * * Introduction This paper co...

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. * * * I'm full of fears and I do m...

Geoff Gardner traces Patricia Highsmith's Tom Ripley character's screen incarnations through the films Plein Soleil (1959) and The Talented Mr. Ripley (1999).

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. * * * Hermia: Methinks I see these ...

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. A shorter version of it appeared in A...

Voted the best film of the '90s by Cahiers du Cinéma critics, Carlito's Way is De Palma at his finest. Here is a collage of "impressions" of the film written by fans from around the globe.

Alfred Hitchcock meets Andy Warhol and both get out of the encounter alive - just. * * * Extracts from this script were read at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of C...