We’ll always have Paris? Fighting the People’s War in Popular Memory Tara Brabazon January 2000 Feature Articles An analysis of Casablanca, with reference to the complex interrelations between film, popular memory and the representation of history.
Memories of a Revolutionary Cinema Allison Arnold Helminski January 2000 Feature Articles A discussion and interpretation of the Cuban classic, Memories of Underdevelopment, informed by Bordwellian theory.
The Best and Worst of the Millennium Sean O’Faileur January 2000 Feature Articles Anyone for a party game?
Panic in the Streets Adrian Danks January 2000 Feature Articles A concise and poetic appreciation of the film, arguing for it as an important Kazan film.
Mise en scène: Dead and Loving it… Some Notes on Mel Brooks Brad Stevens January 2000 Feature Articles Sharp, informed and insightful analysis of the 'specialised mise en scène practice' in the films of Mel Brooks.
A Top Ten List John Conomos December 1999 Feature Articles A cinephile's musings on the impossible task of nominating 10 films as the best of all time.
More than Meets the Eye: The Mediation of Affects in Jane Campion’s Sweetie Sue Gillett December 1999 Feature Articles An intriguing and sensitive discussion of Jane Campion's Sweetie (1989) that blends a personal, affective reading (specified as gender-based) with critical analysis in order to arrive at an understanding of the very complex way in which Campion's films address the viewer as female.
