Gillian Armstrong’s High Tide – A reworking of the Maternal Melodrama Gwendolyn Audrey Foster April 2021 CTEQ Annotations on Film Gillian Armstrong’s High Tide (1987) can be seen as a variant on the maternal melodrama. It centres around the struggles of a teenaged young mother wh...
‘You knew, of course, he was a homosexual’: Dirk Bogarde in Victim (Basil Dearden, 1961) Joanna Di Mattia April 2021 CTEQ Annotations on Film Basil Dearden’s 1961 film, Victim, represents a significant moment in British film history. Released into a world where sex between adult men in the U...
Despair (Rainer Werner Fassbinder, 1978) Martyn Bamber April 2021 CTEQ Annotations on Film Rainer Werner Fassbinder’s first English language film Despair (1978) is a fascinating entry in his filmography: while it is set in Germany, it is his...
Daddy Nostalgie (Bertrand Tavernier, 1990) Lee Hill April 2021 CTEQ Annotations on Film It is tempting to view Daddy Nostalgie (Bertrand Tavernier, 1990), Dirk Bogarde’s last film, as an actor’s swan song or as a great director’s meditati...
Stairways to Paradise: Youssef Chahine and Alexandria…Why? David Melville October 2020 CTEQ Annotations on Film I’ll build a stairway to paradise With a new step every day. I’m going to get there at any price. Stand aside, I’m on my way! - Georges Guétary, A...
At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974) Darragh O’Donoghue October 2020 CTEQ Annotations on Film At first it looks like we’re in for a Soviet Butch Cassidy and the Sundance Kid. A group of Red Army soldiers and a young woman on a farm celebrate th...
German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966) Donovan Renn October 2020 CTEQ Annotations on Film Right out of the gate, Die Söhne der großen Bärin (The Sons of Great Bear) is confrontational, startling, and something else we can't quite describe. ...
Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970) David Heslin October 2020 CTEQ Annotations on Film Al-ard (The Land, Youssef Chahine, 1970) begins and ends in the dirt. In its opening sequence, a hand is seen patting the soil around a young cotton p...
Of East and West and High and Low: Lemonade Joe (1964) Cerise Howard October 2020 CTEQ Annotations on Film It’s not news that the 1960s were an extraordinarily fecund time for cinema in Czechoslovakia; the output of the filmmakers connected to the FAMU-cent...
A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987) Martyn Bamber October 2020 CTEQ Annotations on Film While the Western is primarily known as an American cinematic institution, this has not stopped other countries from enthusiastically embracing the ge...
Cairo Station (باب الحديد, 1958) Darragh O’Donoghue October 2020 CTEQ Annotations on Film Qinawi, the anti-hero of Youssef Chahine’s international breakthrough, is introduced into the main narrative by indirection. First, the ‘lame’ newspap...
Abbas Kiarostami’s The Traveller (1974) Grant Bromley October 2020 CTEQ Annotations on Film In 1959, François Truffaut's Les quatre cents coups (The 400 Blows, 1959) presented delinquent childhood in a manner that allowed for its lead actor, ...
