Western/Non-Western Approaches: Refocus: The Films of Budd Boetticher by Gary D. Rhodes and Robert Singer (eds.) Dean Brandum June 2017 Book Reviews In 1969 Jim Kitses’ Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies in Authorship within the Western was published. The three fi...
Actively Retroactive: On the Couch with Film Noir: Out of the Past: Lacan and Film Noir by Ben Tyrer Shannon Scott June 2017 Book Reviews Ben Tyrer’s Out of the Past: Lacan and Film Noir forms a “Borromean Knot” of Lacanian film theory, Freudian psychoanalysis, and film noir, which makes...
Cinema against Cinema: Daech, le cinéma et la mort by Jean-Louis Comolli Daniel Fairfax June 2017 Book Reviews Outside of France, Jean-Louis Comolli is principally known in the film studies world for his stint as the editor of Cahiers du cinéma in the years 196...
The Critic as Creator: Better Living through Criticism, by A.O. Scott Joshua Sperling June 2017 Book Reviews A.O. Scott is one of the few film critics working today whose fuller personality comes through in their prose. From his weekly reviews for the New Yor...
Other Criteria: Thinking in the Dark: Cinema, Theory, Practice, by Murray Pomerance and R. Barton Palmer (eds.) Swagato Chakravorty March 2017 Book Reviews Edited by Murray Pomerance and R. Barton Palmer, Thinking in the Dark: Cinema, Theory, Practice comprises a series of reflections by an impressive sel...
Concrete Passages: Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton John Edmond March 2017 Book Reviews The merits of Saige Walton’s Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement lie in the parallels between baroque thinking and...
Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory, by Victor Fan Hiu M. Chan March 2017 Book Reviews Victor Fan’s Cinema Approaching Reality: Locating Chinese Film Theory encourages a concept that has been long forgotten in studies of aesthetics and f...
Of Myth and Madness: Mad Dog Morgan (Australian Screen Classics), by Jake Wilson Stephen Morgan December 2016 Book Reviews If Mad Dog Morgan (Philippe Mora, 1976) is one of the grubbiest films of the first phase of Australia’s post-1970 feature film revival, it also stands...
Ethical Encounters: Teaching Transnational Cinema: Politics and Pedagogy, by Katarzyna Marciniak and Bruce Bennett (eds.) Shabnam Piryaei December 2016 Book Reviews In the context of incessant war and war-rhetoric, state-sanctioned torture, refugee crises, fear of terrorism, and increasing animosity toward immigra...
Two or Three Things I Know About Her: Violent Women in Contemporary Cinema, by Janice Loreck Alison Taylor December 2016 Book Reviews There’s a moment in Basic Instinct (Paul Verhoeven, 1992) when Dr. Beth Garner tries to warn her on-again off-again lover, Detective Nick Curran, of t...
Entering the Chiastic Multimedia: Encounters with Godard: Ethics, Aesthetics, Politics, by James S. Williams Jonathan Wright December 2016 Book Reviews Much of Jean-Luc Godard’s most innovative intriguing work occurred after his period of militant Marxism in the late 1960s. Although far fewer of his “...
Public, Politics and Independent Documentaries in China: Independent Chinese Documentary: Alternative Visions, Alternative Publics, by Dan Edwards Judith Pernin December 2016 Book Reviews In this volume, adapted from his PhD dissertation defended at Monash University in 2014, Dan Edwards introduces the reader to Chinese independent docu...
Dead? Far From It: The End of Cinema?: A Medium in Crisis in the Digital Age by André Gaudreault and Philippe Marion Kate Balsley September 2016 Book Reviews André Gaudreault and Philippe Marion’s The End of Cinema?: A Medium in Crisis in the Digital Age demonstrates that cinema has still not reached its e...
What is New about “New Europe” in Contemporary European Cinema?: East, West and Centre:. Reframing Post-1989 European Cinema by Michael Gott and Todd Herzog (eds.) Lukas Brasiskis September 2016 Book Reviews Despite the fact that twenty-six years have passed since the collapse of the Soviet Union, and thirteen years have passed since the first group of for...
No Appeasement: Jean-Marie Straub and Danièle Huillet: Writings by Sally Shafto (ed.), and Jean-Marie Straub & Danièle Huillet by Ted Fendt (ed.) Daniel Fairfax September 2016 Book Reviews A touchstone for the highly politicised debates in film criticism during the 1960s and 1970s, the work of Jean-Marie Straub and Danièle Huillet appea...
Francomania Exposed!: Murderous Passions: The Delirious Cinema of Jesús Franco by Stephen Thrower Whitney Strub September 2016 Book Reviews When Jesús “Jess” Franco won a prestigious Spanish Goya Award in 2009, it represented a victory from below, a truly grassroots push from fan communit...
Filmmaker, musician and poet: Jim Jarmusch: Music, Words and Noise by Sara Piazza Adriano Tedde September 2016 Book Reviews A student of literature at Columbia University coming from small-town Ohio, in the 1970s the young Jim Jarmusch embraced New York’s urban culture, bec...
Mise en Scène and Film Style: From Classical Hollywood to New Media Art, by Adrian Martin Hamish Ford July 2016 Book Reviews This is a compact, dense, magisterial book. The scholarly coverage and detailed analysis of select sequences from films, television and new media art,...
Audiences at the Time of the “Two Churches”: Political Audiences: A Reception History of Early Italian Television, by Damiano Garofalo Luca Peretti July 2016 Book Reviews Damiano Garofalo’s Political Audiences. A reception history of early Italian television is a history of TV consumption in Italy during the 1950s and 1...
Constructing An African-American Film History In the Absence of Films: Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity, by Allyson Nadia Field Tanya Goldman July 2016 Book Reviews Allyson Nadia Field’s Uplift Cinema excavates the lost history of African-American filmmaking in the first half of the 1910s, uncovering a surprisingl...
The Two Johns: The Films of John Hughes: A History of Independent Screen Production in Australia, by John Cumming Jake Wilson July 2016 Book Reviews Aspiring filmmakers in Australia and elsewhere stand to learn a lot from John Cumming’s The Films of John Hughes, not least about how to deal with fun...
Cinema’s Ontological Violence: Hamish Ford’s Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time Michael Goddard July 2016 Book Reviews The emergent arena of film philosophy, or rather “film-philosophy” has, over the last decade, given rise to, in roughly sequential order, a popular di...
In Dreams. David Lynch: The Man From Another Place, by Dennis Lim Kirsty Fairclough-Isaacs July 2016 Book Reviews Given the copious amounts of material already published exploring David Lynch’s artistic landscape, it is not without foundation to wonder what Dennis...
Screening Life/Death: Deathwatch: American film, technology, and the end of life by C. Scott Combs Tyson Stewart March 2016 Book Reviews Deathwatch presents a sweeping history of on-screen death, from the silent film era to recent Hollywood blockbusters. Historically, American film has ...
The Mythographer and the Poet: On Marina Warner’s L’Atalante Nafis Shafizadeh March 2016 Book Reviews Film criticism from literary writers is a tricky business. I am of course using literary as a discursive term rather than a hard and fast category; on...
Film Worlds: A Philosophical Aesthetics of Cinema by Daniel Yacavone Reno Lauro March 2016 Book Reviews Imagine a reality where Terrence Malick, possibly one of the brightest philosophical minds of his generation, completes a doctoral dissertat...
Returning to the Movie Theatre: Roland Barthes’ Cinema by Philip Watts and La nuit sera noire et blanche by Jean Narboni Daniel Fairfax March 2016 Book Reviews Roland Barthes was notorious for his self-proclaimed “resistance” to the cinema. In fact, he hated the medium so much he could only bring himself to g...
Lost Souls: The Soul of Film Theory by Sarah Cooper Troy Michael Bordun March 2016 Book Reviews In the first half of the twentieth century, film theorists developed competing concepts of soul in the cinema. According to Sarah Cooper, the concept ...
Steven Spielberg’s Duel (1971) and the Road to Interpretation: Steven Spielberg and Duel: The Making of a Film Career by Steven Awalt Adrian Schober December 2015 Book Reviews In September 1973, 26-year-old Steven Spielberg attended a press conference in Rome to promote his made-for-TV chase thriller, Duel (1971), which had ...
Archiving the Unforgettable: “Night and Fog”: A Film in History, by Sylvie Lindeperg Tony McKibbin December 2015 Book Reviews There have been numerous books about the making of a film: from Final Cut, a book detailing the production history of Heaven's Gate (Michael Cimino, 1...
The Horror of Not Seeing: Recovering 1940s Horror Cinema: Traces Of A Lost Decade, by Mario DeGiglio-Bellemare, Charlie Ellbé, and Kristopher Woofter (eds). Michael Helms December 2015 Book Reviews Since the mid 1980s, when educational institutions across the planet began to host course units dedicated to the horror film, there has naturally been...
Understanding Genre in a Globalized World: World Cinema through Global Genres, by William V. Costanzo Katherine Balsley December 2015 Book Reviews William V. Costanzo’s World Cinema through Global Genres is comprehensive and truly enjoyable. At 431 pages it never becomes dull or opaque, and inste...
I Like Your Early, Scary Films: Consumed: A Novel, by David Cronenberg Dan Erdman December 2015 Book Reviews For a director who is so indelibly associated with the “body horror” genre, what is often overlooked about David Cronenberg’s film work is the fact th...
Two Books on Alfred Hitchcock: Alfred Hitchcock by Peter Ackroyd and Hitchcock on Hitchcock: Selected Writings and Interviews, Volume 2 by Sidney Gottlieb (ed.) Ken Mogg September 2015 Book Reviews Discussing Hitchcock's Sabotage (1936), Peter Ackroyd likens its director “to another great London visionary, Charles Dickens.” In a few deft line...
Two More Books on Hitchcock: Hitchcock Lost and Found: The Forgotten Films by Alain Kerzoncuf and Charles Barr, and Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock by William Rothman Ken Mogg September 2015 Book Reviews Early in Hitchcock Lost and Found (p. 2) Alain Kerzoncuf and Charles Barr note the unique “enthusiasm” that has surrounded the director's films –...
Three Books from Kino-Agora: Mise en Scène by Frank Kessler, Découpage by Timothy Barnard, and Montage by Jacques Aumont Paul Macovaz September 2015 Book Reviews Three recent additions to Caboose’s Kino-Agora series are dedicated to fundamental terms in the history of film theory and criticism: Frank Kess...
