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      Vienna’s Prater District on Film, or: Looking at the World Again

      Tomáš Hudák
      April 2009
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
  • Interviews
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    • Ghost Town Anthology: An Interview with Denis Côté

      Tomáš Hudák
      July 2020
      Interviews
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    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
    • About Time: Interview with Cyril Schäublin

      Hamed Sarrafi
      January 2023
  • Great Directors
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    • Leisen, Mitchell

      Tomáš Hudák
      October 2005
      Great Directors
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    • Fosse, Bob

      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
    • Dwoskin, Stephen

      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
  • Great Actors
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    • Cage, Nicolas

      Tomáš Hudák
      January 2022
      Great Actors
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    • Divine

      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
    • Garbo, Greta

      Jeremy Carr
      May 2022
    • Magee, Patrick

      Mark Lager
      May 2022
  • Festival Reports
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    • Back to the Wolf Pack: the 22nd Tallinn Black Nights Film Festival

      Tomáš Hudák
      March 2019
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

      Saige Walton
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
  • Book Reviews
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    • Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

      Tomáš Hudák
      July 2020
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
    Random
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      L'Âge d'or: faux-raccord (false match)

      Tomáš Hudák
      April 2000
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Tomáš Hudák

Tomáš Hudák

Tomáš Hudák (1988) is a programmer and freelance film critic based in Bratislava, Slovakia. Throughout the year, he programs films at independent cultural center A4 – Space for Contemporary Culture which focuses on challenging experimental art. He also works for Cinematik Film Festival in Piešťany, Slovakia and Bratislava IFF as a member of programming department. In the past, he was a film archivist at Slovak Film Institute. He wrote some papers on film history, too.

Slowly Diving from Reality Into Fantasy: A Conversation with João Pedro Rodrigues

Tomáš Hudák
April 2020
Conversations with Filmmakers Across the Globe
João Pedro Rodrigues’ films are portraits of misfits. In O Fantasma (Phantom, 2000), it’s a young garbage collector who lives in a tiny flat and cannot deal with his sexual obsessions. Odete (Two Drifters, 2005...

“Why do you need me to tell you all the secrets?”: An Interview with Denis Côté

Tomáš Hudák
June 2018
Feature Articles
French-Canadian auteur Denis Côté is probably best known for his Best Directing prizes at Locarno for his films Elle veut le chaos (All That She Wants, 2008) and Curling (2010), as well as his Berlinale awarded...
Jaime Rosales interview

“Inspiration is More Important Than Experience”: An Interview with Jaime Rosales

Tomáš Hudák
March 2017
Movements: Filmmaker Interviews
When we held retrospective of Jaime Rosales’ work at Cinematik Film Festival in Piešťany, Slovakia in September 2015 and gave him carte blanche to pick his favourite films or films he was influenced by, he chos...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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