• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Features
    Random
    • Abrantes Schmidt Crotty Carver

      A Diaspora of Desire: Gabriel Abrantes, Daniel Schmidt, Benjamin Crotty and Alexander Carver

      Tom Zubrycki
      July 2016
      Feature Articles
    Recent
    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
    Random
    • article placeholder

      The Medium Enthralled: Hot Docs Canadian International Documentary Film Festival 2006

      Tom Zubrycki
      July 2006
      Festival Reports
    Recent
    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
    Random
    • article placeholder

      The Cinema of Small Nations edited by Mette Hjort and Duncan Petrie

      Tom Zubrycki
      August 2008
      Book Reviews
    Recent
    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
  • CTEQ
    Random
    • Between Dreams and Death: Jean Cocteau’s Orpheus (1950)

      Tom Zubrycki
      July 2020
      CTEQ Annotations on Film
    Recent
    • “She smelled of Tokyo”: Sensory connections in The Masseurs and a Woman (1938)

      Danica van de Velde
      April 2021
    • Shimizu Redivivus: A Woman Crying in Spring (Nakinureta haru no onna yo, Hiroshi Shimizu, 1933)

      Joseph Sgammato
      April 2021
    • A Hero of Tokyo (Tôkyô no eiyû, Hiroshi Shimizu, 1935)

      Hayley Scanlon
      April 2021
    • I Kiss Your Hand, Madame (Robert Land, 1929)

      Eloise Ross
      April 2021
    • The Major and The Minor (Billy Wilder, 1942)

      Karli Lukas
      April 2021
    • Unfolding Florence – The Many Lives of Florence Broadhurst (Gillian Armstrong, 2006)

      Jytte Holmqvist
      April 2021
  • Great Directors
    Random
    • Armstrong, Gillian

      Tom Zubrycki
      October 2002
      Great Directors
    Recent
    • Scott, Tony

      Jeremy Carr
      October 2020
    • Menzel, Jiří

      Brendan Black
      October 2020
    • Wise, Robert

      Adrian Schober
      April 2020
    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
  • World Poll
  • Support Senses
  • Shop
  • Subscribe
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • Special Dossiers
  • Interviews
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
more articles... more articles... more articles... more articles... more articles...

Author Tom Zubrycki

Tom Zubrycki

Tom Zubrycki is an Australian documentary filmmaker whose films have been locally and internationally acclaimed. His career as director spans 25 years, and includes films such as Kemira-Diary of a Strike (1984), Homelands (1993), and The Diplomat (2000). He has also produced several documentaries, including Exile in Sarajevo (1997), Whiteys Like Us (1999) and Stolen Generations (2000). His latest film The Secret Safari was a finalist in the 2001 IF (Independent Filmmaker) awards (Sydney) and won the Dendy award at the 2001 Sydney Film Festival.

article placeholder

Email from Australian Documentary Filmmaker Tom Zubrycki to Friends, New York, September 18 2001

Tom Zubrycki
November 2001
Terror, Disaster, Cinema and Reality - A Symposium
Dear Friends, It's hard to describe the last few days except that they've been traumatic and difficult – yet also strangely life-affirming. Last Tuesday I was having breakfast with my Australian friend Ir...
article placeholder

A Report on the 51st Berlin International Film Festival – in Particular The 31st International Forum of New Cinema

Tom Zubrycki
April 2001
Festival Reports
(7-18 February, 2001) The 'International Forum of New Cinema' is an independent section of the Berlin International Film Festival dedicated to innovative and experimental cinema. It is considered worldwi...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff