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    • The Roving ‘I’: Ambiguous Subjectivity in Eric Rohmer’s ‘Six Moral Tales’

      Thomas Redwood
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
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      Andrew Lynch and Alexa Scarlata
      January 2022
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      Thomas Redwood
      January 2021
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      Maja Korbecka
      January 2022
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      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
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      Andrew Northrop
      July 2021
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      Thomas Redwood
      June 2017
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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      A Report on the 2006 Melbourne International Animation Festival

      Thomas Redwood
      July 2006
      Festival Reports
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      Maria Giovanna Vagenas
      February 2022
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      Kohei Usuda
      February 2022
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      Leonardo Goi
      January 2022
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      Carmen Gray
      January 2022
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      Bérénice Reynaud
      January 2022
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      Amelia Leonard and Jacob Agius
      January 2022
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    • Millennial Cinema: Memory in Global Film. Ed. Amresh Sinha and Terence McSweeney.

      Thomas Redwood
      March 2014
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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      L'Argent

      Thomas Redwood
      June 2000
      CTEQ Annotations on Film
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    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
    • An entertainment: Fritz Lang’s Ministry of Fear (1944)

      Andréas Giannopoulos
      May 2022
    • Out of the Shadows: Cloak and Dagger (Fritz Lang, 1946)

      Ian Olney
      May 2022
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Author Thomas Redwood

Thomas Redwood

Thomas Redwood is a post graduate student at Flinders University Screen Studies department.

A History of Russian Cinema by Birgit Beumers

Thomas Redwood
December 2011
Book Reviews
To keep one’s words to a minimum whilst also maintaining intellectual authority over a subject is a true skill: to know one’s subject intimately and to distinguish with certainty what is and what is not essenti...
article placeholder

To the Distant Insider: A Local’s Guide to the 2005 Adelaide Film Festival

Thomas Redwood
April 2005
Festival Reports
February 18–March 3, 2005 In the second of his two programmed lectures at the Mercury Cinema, special guest film scholar David Bordwell described the second biannual Adelaide Film Festival as being one ...

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