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      Will the Real Revolution Please Stand Up: An Interview with Lech Kowalski

      Swagato Chakravorty
      March 2008
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
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    • An Interview Miguel Gomes about his short films

      Swagato Chakravorty
      May 2025
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
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    • Zetterling, Mai

      Swagato Chakravorty
      November 2024
      Great Directors
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
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    • Nicholson, Jack

      Swagato Chakravorty
      August 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
  • Festival Reports
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    • International Film Festival Rotterdam 2018

      Rotterdam - Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Swagato Chakravorty
      March 2018
      Festival Reports
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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      Reading The Funnies: Essays on Comic Strips (Seattle, WA: Fantagraphics Books 2001) by Donald Phelps

      Swagato Chakravorty
      March 2002
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
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      Realised Mysticism: La Passion de Jeanne d’Arc

      Swagato Chakravorty
      May 2006
      CTEQ Annotations on Film
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    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
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Author Swagato Chakravorty

Swagato Chakravorty

Swagato Chakravorty is a Ph.D. student in History of Art and Film and Media Studies (combined) at Yale University. He works at the interstices of screen practices, screen architectures, and embodied spectatorial experience. In 2015–16, 2015–16 he was the Mellon Museum Research Consortium Fellow in the Department of Media and Performance Art at the Museum of Modern Art, New York. He is planning a dissertation focusing on architectures of projection beyond a certain notion of the cinematic dispositif.

Other Criteria: Thinking in the Dark: Cinema, Theory, Practice, by Murray Pomerance and R. Barton Palmer (eds.)

Swagato Chakravorty
March 2017
Book Reviews
Edited by Murray Pomerance and R. Barton Palmer, Thinking in the Dark: Cinema, Theory, Practice comprises a series of reflections by an impressive selection of established and emerging film and media scholars o...

Cinematic Spectatorship by way of Architecture: Gabriele Pedullà, In Broad Daylight: Movies and Spectators After the Cinema

Swagato Chakravorty
September 2014
Book Reviews
Clocking in at barely 171 pages and change (including front and back matter), Gabriele Pedullà’s In Broad Daylight: Movies and Spectators After the Cinema is a breezily written – if conceptually original – acco...

Media Archaeology: Approaches, Applications, and Implications edited by Erkki Huhtamo and Jussi Parikka

Swagato Chakravorty
December 2013
Book Reviews
Erkki Huhtamo (UCLA) and Jussi Parikka (University of Southampton, University of Turku) have pursued individual routes of inquiry into media archaeology, which has only recently gained critical momentum. Not qu...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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