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  • Dossiers
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    • Three Films by Roberto Rossellini Starring Ingrid Bergman: The Criterion Edition of Stromboli, Europe ’51 and Journey to Italy

      Ove Christensen
      December 2013
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • In Search of Lost Time: An Interview with Christophe Honoré

      Ove Christensen
      January 2023
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      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
    • About Time: Interview with Cyril Schäublin

      Hamed Sarrafi
      January 2023
    • Enys Men: An Interview With Mark Jenkin

      Tara Judah
      January 2023
  • Great Directors
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      Ove Christensen
      August 2008
      Great Directors
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      Giampiero Frasca
      January 2023
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      Sherry Johnson
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Ove Christensen
      May 2022
      Great Actors
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
  • Festival Reports
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      The Curator and the Critic at Vancouver 2003 – A Report

      Ove Christensen
      December 2003
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
  • Book Reviews
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      Brain Sculpting and Cinema: Blow-Up: Photography, Cinema and the Brain by Warren Neidich

      Ove Christensen
      October 2005
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
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    • Irma Vep

      Ove Christensen
      October 2010
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Ove Christensen

Ove Christensen

Ove Christensen is Associate Professor in Media Studies at Aalborg University, Denmark. He has coedited a book on modernism, På kant med værket (On the Edge of the Work), Danish Dogma films, Nøgne billeder – de danske dogmefilm (Naked Pictures – The Danish Dogma Films) and has written numerous articles on film and film theory.

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Brain Sculpting and Cinema: Blow-Up: Photography, Cinema and the Brain by Warren Neidich

Ove Christensen
October 2005
Book Reviews
We all take in the world through our bodily perceptions and the inferences these perceptions give rise to. The shape and colour of a tree are understood as a tree because we have gotten used to connecting the p...
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Cinema and Culture Theory: Film Theory: Critical Concepts in Media and Cultural Studies edited by Philip Simpson, Andrew Utterson and K.J. Shepherdson

Ove Christensen
February 2005
Book Reviews
Before cinema studies was established as an academic enterprise there existed already a fair pile of theoretical writing on cinema. Hugo Münsterberg, Béla Balász and Rudolf Arnheim were the most prominent; howe...
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Danish Dogmas: Purity and Provocation: Dogma ’95 edited by Mette Hjort and Scott MacKenzie

Ove Christensen
October 2004
Book Reviews
In 1995 the (in)famous Danish director Lars von Trier and the young director Thomas Vinterberg launched a manifesto for filmmaking known as Dogma '95 and a set of rules – The Vow of Chastity – that had to be ob...

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