• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random

    • Cinema, Race and the Zeitgeist: On Pulp Fiction Twenty Years Later

      Oloruntoba John Olubunmi
      October 2014
      Feature Articles
    Recent

    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022

    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Mark Freeman & Eloise Ross
      October 2022

    • Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers

      Joy McEntee
      October 2022

    • Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World

      Salvador Carrasco
      October 2022

    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022

    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
  • Interviews
    Random

    • The Living Theatre: An Interview with Paul Felten and Joe DeNardo about their film Slow Machine

      Oloruntoba John Olubunmi
      October 2020
      Interviews
    Recent

    • We Learn by Making: A Conversation with Alexandra Cuesta

      Andrew Northrop
      October 2022

    • Love Dog: Conversation with Bianca Lucas

      Maria Giovanna Vagenas
      October 2022

    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022

    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022

    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
  • Great Directors
    Random

    • Alea, Tomás Gutiérrez

      Oloruntoba John Olubunmi
      October 2003
      Great Directors
    Recent

    • Sorrentino, Paolo

      Jeremy Carr
      October 2022

    • Craven, Wes

      Hal Young
      October 2022

    • Dwoskin, Stephen

      Sara Delshad
      October 2022

    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022

    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022

    • Curtiz, Michael

      Jeremy Carr
      January 2022
  • Great Actors
    Random

    • Caine, Michael

      Oloruntoba John Olubunmi
      May 2022
      Great Actors
    Recent

    • Divine

      Jacob Agius
      October 2022

    • Lansbury, Angela

      Joy McEntee
      May 2022

    • Garbo, Greta

      Jeremy Carr
      May 2022

    • Magee, Patrick

      Mark Lager
      May 2022

    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random

    • Audience and Industry: The 24th International Documentary Festival Amsterdam

      Oloruntoba John Olubunmi
      February 2012
      Festival Reports
    Recent

    • Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival

      Levan Tskhovrebadze
      October 2022

    • NYFF 60: Hide and Seek

      Nolan Kelly
      October 2022

    • Budapest Classics Film Marathon

      Andrew Northrop
      October 2022

    • Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

      Susana Bessa
      October 2022

    • The 75th Locarno Film Festival: Happy Birthday and Many Happy Returns

      Jaimey Fisher
      October 2022

    • (Fist) Bump in the Night at Fantasia 2022

      Jake Pitre
      October 2022
  • Book Reviews
    Random
    • Alfred Hitchcock book reviews

      Two More Books on Hitchcock: Hitchcock Lost and Found: The Forgotten Films by Alain Kerzoncuf and Charles Barr, and Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock by William Rothman

      Oloruntoba John Olubunmi
      September 2015
      Book Reviews
    Recent

    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022

    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022

    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022

    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
  • CTEQ
    Random

    • Mann of the Southwest: Border Incident (1949)

      Oloruntoba John Olubunmi
      May 2013
      CTEQ Annotations on Film
    Recent

    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022

    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022

    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022

    • Die Finanzen des Großherzogs (The Grand Duke’s Finances, F.W. Murnau, 1924)

      Jonathan Mackris
      October 2022

    • A Dream of Light and Dark – F.W. Murnau and Faust

      David Melville
      October 2022

    • American Maverick: How Joan Micklin Silver Made Hester Street (1975)

      Shari Kizirian
      October 2022
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Oloruntoba John Olubunmi

Oloruntoba John Olubunmi

Bunmi Oloruntoba is currently completing a M.F.A in scriptwriting at Regent University, Virginia Beach. He lies awake at night wondering why kamikaze pilots wore helmets.

article placeholder

Summer Holiday

Oloruntoba John Olubunmi
July 2004
CTEQ Annotations on Film
Summer Holiday (USA 1948 92 mins) Source: NLA/ACMI Prod Co: MGM Prod: Arthur Freed Dir: Rouben Mamoulian Scr: Frances Goodrich, Albert Hackett, Irving Brecher, Jean Holloway, from Eugene O'Neill's play A...
article placeholder

The Atomic Cafe

Oloruntoba John Olubunmi
April 2004
CTEQ Annotations on Film
The Atomic Cafe (1982 USA 92 mins) Source: Sharmill Films Prod Co: The Archives Project Prod, Dir: Jayne Loader, Kevin Rafferty, Pierce Rafferty Ed: Jayne Loader, Kevin Rafferty Sound: Marge Crimmins ...
article placeholder

Il Bell’Antonio

Oloruntoba John Olubunmi
April 2004
CTEQ Annotations on Film
Il Bell'Antonio (1960 Italy 104 mins) Source: ScreenSound Australia Prod Co: Arco/Cino del Duca/Societé Cinématographique Lyre Prod: Alfredo Bini Dir: Mauro Bolognini Scr: Pier Paolo Pasolini, Gino Visen...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff