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  • Dossiers
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    • Loss and Absence in Still Life

      Nasheed Qamar Faruqi
      January 2022
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • An Interview with Pia Marais

      Nasheed Qamar Faruqi
      November 2024
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Nasheed Qamar Faruqi
      September 2015
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Nasheed Qamar Faruqi
      May 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
  • Festival Reports
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    • “A Hundred Years Ago”: 1919 in Cinema, at Il Cinema Ritrovato, 32nd edition, Bologna, Italy, June 22-30, 2019

      Nasheed Qamar Faruqi
      January 2020
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      The British New Wave: A Certain Tendency? by B.F. Taylor

      Nasheed Qamar Faruqi
      April 2009
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Zéro de conduite

      Nasheed Qamar Faruqi
      December 2013
      CTEQ Annotations on Film
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      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Nasheed Qamar Faruqi

Nasheed Qamar Faruqi

Nasheed is a director and screenwriter who makes documentary and fiction about people negotiating cultural differences. Driven by a love of truth, beauty and justice, she combines filmmaking with occasional writing about cinema. Her films have been supported by international festivals/symposia, the BBC, BFI and Wellcome Trust.

London Film Festival 2025 Report

Nasheed Qamar Faruqi
January 2026
Festival Reports
A fish rots from the head. No surprise, then, given the lack of integrity shown by a series of UK governments, that the 2025 London Film Festival should have felt like a putrid and gelatinous mess:  a distilled...

An Interview with Raoul Peck about Ernest Cole: Lost and Found

Nasheed Qamar Faruqi
May 2025
Interviews
I met Raoul Peck in London when he was in town for the 2024 London Film Festival to promote his latest, searing documentary, Ernest Cole: Lost and Found. Peck was impeccably turned out, with an eye for detail t...

Looking for liberation: 68th London Film Festival

Nasheed Qamar Faruqi
January 2025
Festival Reports
To attend the London Film Festival (LFF) in October 2024 is to witness the expression of a world out of joint and to be urgently in search of new and liberatory stories that also engage with cinema in compellin...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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