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      Some Thoughts on the Rise (...and Rise) of Video Games

      Mick Broderick James Fenwick and Joy McEntee
      February 2000
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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    • “A ghost mob”: Interview with Sandra Wollner

      Mick Broderick James Fenwick and Joy McEntee
      October 2020
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      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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      Mick Broderick James Fenwick and Joy McEntee
      January 2003
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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      What the Eye Sees: A Report on the International Experimental Cinema Exposition

      Mick Broderick James Fenwick and Joy McEntee
      February 2004
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      Maria Giovanna Vagenas
      February 2022
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      Kohei Usuda
      February 2022
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      Leonardo Goi
      January 2022
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      Carmen Gray
      January 2022
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      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
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      The Felliniesque Besieged: Fellini Lexicon by Sam Rohdie

      Mick Broderick James Fenwick and Joy McEntee
      January 2003
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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    • The Marriage Circle

      Nuanced Complexity: The Marriage Circle (Ernst Lubitsch, 1924) and the Early Days of the ‘Lubitsch Touch’

      Mick Broderick James Fenwick and Joy McEntee
      June 2017
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Mick Broderick James Fenwick and Joy McEntee

Mick Broderick James Fenwick and Joy McEntee

Mick Broderick is Professor of Media Analysis at Murdoch University. He has produced over 100 scholarly works as author or co-author, including: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (2019) with Katie Ellis; Reconstructing Strangelove: inside Stanley Kubrick’s ‘nightmare comedy’ (2017) and Nuclear Movies (1988, 1991); and as editor The Kubrick Legacy (2019), Hibakusha Cinema (1996, 1999), and as co-editor with Antonio Traverso, Interrogating Trauma (2011) and Trauma, Media, Art: New Perspectives (2010). James Fenwick is a Senior Lecturer in media and communications at Sheffield Hallam University. He is the author of Stanley Kubrick Produces (Rutgers University Press, 2020) and editor of Understanding Kubrick’s 2001: A Space Odyssey (Intellect, 2018). He has written a number of book chapters and journal articles about the life and work of Stanley Kubrick and Kirk Douglas. Joy McEntee is a Senior Lecturer in the Department of English and Creative Writing at the University of Adelaide. She has research interests in American Cold War film, the work of Stanley Kubrick, and literature to film adaptation. She has published in Camera Obscura, Screening the Past, Adaptation, Literature/Film Quarterly and the Journal of Adaptation in Film and Performance.

Missing links: exploring traces of Kubrick’s ‘unknown’ early works

Mick Broderick James Fenwick and Joy McEntee
October 2020
Feature Articles
Previously unseen materials donated by the Stanley Kubrick estate to the London University of the Arts Special Collections Archive sheds new light on what has been a relatively ‘unknown’ period in the auteur’s ...

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