Author Mick Broderick James Fenwick and Joy McEntee

Mick Broderick James Fenwick and Joy McEntee

Mick Broderick is Professor of Media Analysis at Murdoch University. He has produced over 100 scholarly works as author or co-author, including: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (2019) with Katie Ellis; Reconstructing Strangelove: inside Stanley Kubrick’s ‘nightmare comedy’ (2017) and Nuclear Movies (1988, 1991); and as editor The Kubrick Legacy (2019), Hibakusha Cinema (1996, 1999), and as co-editor with Antonio Traverso, Interrogating Trauma (2011) and Trauma, Media, Art: New Perspectives (2010). James Fenwick is a Senior Lecturer in media and communications at Sheffield Hallam University. He is the author of Stanley Kubrick Produces (Rutgers University Press, 2020) and editor of Understanding Kubrick’s 2001: A Space Odyssey (Intellect, 2018). He has written a number of book chapters and journal articles about the life and work of Stanley Kubrick and Kirk Douglas. Joy McEntee is a Senior Lecturer in the Department of English and Creative Writing at the University of Adelaide. She has research interests in American Cold War film, the work of Stanley Kubrick, and literature to film adaptation. She has published in Camera Obscura, Screening the Past, Adaptation, Literature/Film Quarterly and the Journal of Adaptation in Film and Performance.

Missing links: exploring traces of Kubrick’s ‘unknown’ early works

Mick Broderick James Fenwick and Joy McEntee

October 2020

Feature Articles

Previously unseen materials donated by the Stanley Kubrick estate to the London University of the Arts Special Collections Archive sheds new light on what has been a relatively ‘unknown’ period in the auteur’s ...

Gravity of the Flux: Michael Mann’s Miami Vice

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

Telling Real-Life Stories: the 9th DocLisboa International Documentary Film Festival

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

In Search of Anxious Time: Deleuze, Cinema and National Identity: Narrative Time in National Contexts by David Martin-Jones

Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

The Mistress and the Actress: Marion Davies in The Patsy

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Morita, Yoshimitsu

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

Missing links: exploring traces of Kubrick’s ‘unknown’ early works