Author Mick Broderick James Fenwick and Joy McEntee

Mick Broderick James Fenwick and Joy McEntee

Mick Broderick is Professor of Media Analysis at Murdoch University. He has produced over 100 scholarly works as author or co-author, including: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (2019) with Katie Ellis; Reconstructing Strangelove: inside Stanley Kubrick’s ‘nightmare comedy’ (2017) and Nuclear Movies (1988, 1991); and as editor The Kubrick Legacy (2019), Hibakusha Cinema (1996, 1999), and as co-editor with Antonio Traverso, Interrogating Trauma (2011) and Trauma, Media, Art: New Perspectives (2010). James Fenwick is a Senior Lecturer in media and communications at Sheffield Hallam University. He is the author of Stanley Kubrick Produces (Rutgers University Press, 2020) and editor of Understanding Kubrick’s 2001: A Space Odyssey (Intellect, 2018). He has written a number of book chapters and journal articles about the life and work of Stanley Kubrick and Kirk Douglas. Joy McEntee is a Senior Lecturer in the Department of English and Creative Writing at the University of Adelaide. She has research interests in American Cold War film, the work of Stanley Kubrick, and literature to film adaptation. She has published in Camera Obscura, Screening the Past, Adaptation, Literature/Film Quarterly and the Journal of Adaptation in Film and Performance.

Missing links: exploring traces of Kubrick’s ‘unknown’ early works

Mick Broderick James Fenwick and Joy McEntee

October 2020

Feature Articles

Previously unseen materials donated by the Stanley Kubrick estate to the London University of the Arts Special Collections Archive sheds new light on what has been a relatively ‘unknown’ period in the auteur’s ...

About Elly, About Jane

Dreams of Italy’s Past: Giuseppe Rotunno’s Cinematography in Amarcord and The Leopard

George Romero’s Zombie Movies: The Fragmentation of America

Boy with Flag and Black British experience in Akomfrah’s Handsworth Songs and McQueen’s Red, White and Blue

Baron Lands: Environmental Upheaval and the Texas Oil Movie

“Cinematic Comrades”: Bong Joon-ho’s Auteurism and Song Kang-ho’s Performance

Luis Buñuel’s El in the Face of Cultural Appropriation and the #MeToo Movement: A Filmmaker’s Reappraisal

Building Networks in a Contested Space: DMZ International Documentary Film Festival 2014

Disenchantment of the World: IFFR 2021

IFFR 2021: High art, casual conversation

Rediscovering the Forgotten Gems of a Decade: Austrian Auteurs of the 1970s at the Viennale

Pandemic Dreams: The 71st Berlinale

Some Winners and Then Some: Sundance 2021

Forgotten Wars: The AFI FEST/AFM 2020 (Virtual Events)

Miniaturist Manoeuvres: Noriko Smiling by Adam Mars-Jones

Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

The Politics of Ambiguity: After Authority: Global Art Cinema and Political Transition, by Kalling Heck

Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

“Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

Ashes and Diamonds

Uta onna oboegaki (Notes of an Itinerant Performer, Hiroshi Shimizu, 1941)

I Kiss Your Hand, Madame (Robert Land, 1929)

Shimizu Redivivus: Nakinureta haru no onna yo (A Woman Crying in Spring, Hiroshi Shimizu, 1933)

Pit Stop: Billy Wilder’s Mauvaise graine (1934)

“This is You, You Bastards”: Ace in the Hole (1951)

The Major and The Minor (Billy Wilder, 1942)

Uchida, Tomu

Obayashi, Nobuhiko

Lee, Spike

Lumet, Sidney

Scott, Tony

Menzel, Jiří

Wise, Robert

Missing links: exploring traces of Kubrick’s ‘unknown’ early works