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      Turkish Cinema’s Resurgence: The ‘Deep Nation’ Unravels

      Mick Broderick James Fenwick and Joy McEntee
      May 2006
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Mick Broderick James Fenwick and Joy McEntee
      March 2019
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Scenes from a Revolution: The Birth of the New Hollywood by Mark Harris

      Mick Broderick James Fenwick and Joy McEntee
      August 2008
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Mick Broderick James Fenwick and Joy McEntee
      January 2020
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      May 2006
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      October 2020
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      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Mick Broderick James Fenwick and Joy McEntee

Mick Broderick James Fenwick and Joy McEntee

Mick Broderick is Professor of Media Analysis at Murdoch University. He has produced over 100 scholarly works as author or co-author, including: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (2019) with Katie Ellis; Reconstructing Strangelove: inside Stanley Kubrick’s ‘nightmare comedy’ (2017) and Nuclear Movies (1988, 1991); and as editor The Kubrick Legacy (2019), Hibakusha Cinema (1996, 1999), and as co-editor with Antonio Traverso, Interrogating Trauma (2011) and Trauma, Media, Art: New Perspectives (2010). James Fenwick is a Senior Lecturer in media and communications at Sheffield Hallam University. He is the author of Stanley Kubrick Produces (Rutgers University Press, 2020) and editor of Understanding Kubrick’s 2001: A Space Odyssey (Intellect, 2018). He has written a number of book chapters and journal articles about the life and work of Stanley Kubrick and Kirk Douglas. Joy McEntee is a Senior Lecturer in the Department of English and Creative Writing at the University of Adelaide. She has research interests in American Cold War film, the work of Stanley Kubrick, and literature to film adaptation. She has published in Camera Obscura, Screening the Past, Adaptation, Literature/Film Quarterly and the Journal of Adaptation in Film and Performance.

Missing links: exploring traces of Kubrick’s ‘unknown’ early works

Mick Broderick James Fenwick and Joy McEntee
October 2020
Feature Articles
Previously unseen materials donated by the Stanley Kubrick estate to the London University of the Arts Special Collections Archive sheds new light on what has been a relatively ‘unknown’ period in the auteur’s ...

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