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  • Dossiers
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    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      October 2020
      Feature Articles
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    • The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest

      Peter Verstraten
      May 2023
    • Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries

      Santasil Mallik
      May 2023
    • Horse-People and White Voices: Neoliberalism and Race in Sorry to Bother You

      Thomas Austin
      May 2023
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
  • Interviews
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    • Laying Bare the Anzac Legend: Interview with Köken Ergun

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      October 2019
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    • Here: An Interview with Bas Devos

      Maria Giovanna Vagenas
      May 2023
    • A Different Kind of Love Story: An Interview with Dustin Guy Defa

      Brigitta Wagner
      May 2023
    • Family as a Film Collective: An interview with Huang Ji and Ryûji Otsuka

      Maja Korbecka
      May 2023
    • Biting comedy: An Interview with Japanese director Hyûga Fumiari

      Purple Romero
      May 2023
    • When in Love, Make a Film: Interview with Alexandre O. Philippe

      Hamed Sarrafi
      May 2023
    • “I Needed to See Light”: An Interview with Tatiana Huezo

      Silvia Spitta & Gerd Gemünden
      May 2023
  • Great Directors
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    • Siegel, Don

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      July 2004
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    • Thompson, J. Lee

      Jeremy Carr
      May 2023
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      Benjamin Kooyman
      May 2023
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      Sherry Johnson
      January 2023
    • Cimino, Michael

      Giampiero Frasca
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      May 2022
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      Wheeler Winston Dixon
      May 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • A Question of Scale: The 2010 AFI FEST / American Film Market

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      May 2011
      Festival Reports
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    • Generational Feminisms: the 45th Festival International de Films de Femmes

      Sian Mitchell
      May 2023
    • GoEast: the 23rd Festival of Central and Eastern European Film

      Carmen Gray
      May 2023
    • CPH:DOX 2023: At World’s End

      Will DiGravio
      May 2023
    • Punto de Vista 2023: Dust No Longer Clouds Our Eyes

      Jay Kuehner
      May 2023
    • All the world’s a stage IFFR Critics’ Choice 9: PLAY

      Tara Judah
      May 2023
    • Sundance 2023 – Hybridity and Transgressive Heroes

      Bérénice Reynaud
      May 2023
  • Book Reviews
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    • The Philosophy of the Western edited by Jennifer L. McMahon and B. Steve Csaki

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      June 2011
      Book Reviews
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    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
  • CTEQ
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    • Adrift in the Shadows of Fog: Forget Love for Now (Hiroshi Shimizu, 1937)

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      April 2020
      CTEQ Annotations on Film
    Recent
    • Days (Tsai Ming-liang, 2020)

      Jacob Agius
      May 2023
    • Afflictions of Pain and Desire: The River (Tsai Ming-liang, 1997)

      Alex Williams
      May 2023
    • The Wayward Cloud (Tsai Ming-liang, 2005)

      Amelia Leonard
      May 2023
    • Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

      Andrew Le
      May 2023
    • The Skywalk is Gone (Tsai Ming-liang, 2002)

      Digby Houghton
      May 2023
    • What Time is it There? (Tsai Ming-liang, 2001)

      Jessica Balanzategui
      May 2023
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Author Mauricio Rivera

Mauricio Rivera

Mauricio Rivera is a writer, journalist, scholar and visual artist born in Bogota, Colombia. He studied journalism in Colombia and later undertook postgraduate studies in Melbourne (where he is currently based), including a Masters degree in professional communication and a PhD in journalism and media studies.

Healing through curation: a conversation between three indigenous image curators in the Abya Yala movement

Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
December 2018
Latin American Cinema Today: An Unsolved Paradox
Spanish version / Versión en Español. Icónica. A conversation between Amalia Córdova (writing from Piscataway territory), David Hernández Palmar (Wayuu territory) and Francisco Huichaqueo (Wallmapu territory...

The Embrace of the Serpent and the dark legacy of the rubber holocaust

Mauricio Rivera
June 2018
Feature Articles
Like Francis Ford Coppola's Apocalypse Now (1979), The Embrace of the Serpent, directed by Colombian director Ciro Guerra (2015), may at first sight be interpreted as a cinematographic adaptation of Joseph Conr...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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