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    • The Art of Murder: What We Have to Learn from The House That Jack Built

      Mary Harrod
      March 2019
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
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      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Mary Harrod
      May 2021
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Mary Harrod
      July 2005
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      Giampiero Frasca
      January 2023
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      Sherry Johnson
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      Jeremy Carr
      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Mary Harrod
      January 2022
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      October 2022
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      Mary Harrod
      December 2014
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      Leonardo Goi
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
    • Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

      Saige Walton
      January 2023
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      Mary Harrod
      July 2022
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
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      Mary Harrod
      December 2013
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    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Mary Harrod

Mary Harrod

Mary Harrod is currently writing a PhD thesis on the rise of romantic comedy in contemporary French cinema at King’s College, London and co-editing a book on European cinema for I.B. Tauris. She has reviewed for Screening the Past and published in the journals Studies in French Cinema and (on Linklater) Screen.

Richard Linklater by David T. Johnson

Mary Harrod
September 2012
Book Reviews
In her 2006 summary of the history of debates on authorship in general and in cinema in particular, Pam Cook observes that ‘the function of the author/artist at one time limited to art cinema has extended to po...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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