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      Everybody’s Different: Valeska Grisebach’s Mein Stern

      Marco Abel & Jaimey Fisher
      July 2002
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Author Marco Abel & Jaimey Fisher

Marco Abel & Jaimey Fisher

Marco Abel is Willa Cather Professor of English and Film Studies at the University of Nebraska-Lincoln. His third monograph, Mit Nonchalance am Abgrund: Das Kino der “Neuen Münchner Gruppe” (1964 – 1972), is forthcoming in September 2024 with transcript Verlag (Germany). He is also the author of The Counter-Cinema of the Berlin School (Camden House, 2013), which won the 2014 German Studies Association Book Prize, and Violent Affect: Literature, Cinema, and Critique After Representation (University of Nebraska Press, 2007). He is the co-editor of several books, including, with Jaimey Fisher, of the forthcoming New German Cinema and Its Global Contexts: A Transnational Art Cinema (Wayne State UP, January 2025) as well as The Berlin School and Its Global Contexts: A Transnational Art Cinema (Wayne State UP, 2018). Other books he co-edited include, with Aylin Bademosy and Jaimey Fisher, Christian Petzold: Interviews (University Press of Mississippi, 2023); with Christian Gerhardt Celluloid Revolt: German Screen Cultures and the Long 1968 (Camden House, 2019); and with Chris Wahl, Michael Wedel, and Jesko Jockenhoevel of Im Angesicht des Fernsehens: Der Filmemacher Dominik Graf (text + kritik, 2010). With Roland Végső, he is the co-editor of the book series Provocations (University of Nebraska Press).Marco Abel has also published numerous essays on German cinema and interviews with German film directors in several edited volumes as well as journals such as Cineaste, German Studies Review, New German Critique, Quarterly Review of Film and Video, and Senses of Cinema. Together with Jaimey Fisher, he also co-edited a dossier on Christian Petzold for Senses of Cinema (issue 84). Jaimey Fisher is professor of German and of Cinema & Digital Media at the University of California, Davis. Fisher has written four books: German Ways of War (about German war films), Treme, Christian Petzold, and Disciplining Germany: Youth, Reeducation, and Reconstruction after the Second World War. He has also edited and co-edited several books and special issues.

“Storytelling is always dealing with the aftermath”: An Interview with Christoph Hochhäusler on Death Will Come

Marco Abel & Jaimey Fisher
November 2025
Interviews
Christoph Hochhäusler’s densely layered seventh feature, La mort viendra (Death Will Come, 2024), is a French-language neo-noir unfolding primarily in Brussels – the capital of Belgium and location of the Europ...

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