‘A Certain Blind Look’: Žižek’s ‘absolute undecidability’ in Joseph Conrad’s ‘The Duel’ and Ridley Scott’s The Duellists Kit MacFarlane June 2016 Feature Articles For Slavoj Žižek, Charlie Chaplin's City Lights (1931) is "perhaps the purest case of a film which, so to speak, stakes everything on its final scene." This is not to be understood in the sense that this fi...