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      The Materialist Ethic of Mikio Naruse

      Jorge Mourinha
      May 2002
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • Interview with Florence Delay, Bresson’s Joan of Arc

      Jorge Mourinha
      August 2024
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      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Jorge Mourinha
      December 2002
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Jorge Mourinha
      May 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • Mind the Gap: New German Films at the 74th Berlin International Film Festival

      Jorge Mourinha
      May 2024
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Jorge Mourinha
      July 2012
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Unfaithfully Yours (Preston Sturges, 1948)

      Jorge Mourinha
      January 2022
      CTEQ Annotations on Film
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    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Jorge Mourinha

Jorge Mourinha

Jorge Mourinha is a film critic at Lisbon's daily newspaper Público and maintains film review blog The Flickering Wall.

Documents and Eyewitnesses: the Archipelago of the 12th Doclisboa

Jorge Mourinha
December 2014
Festival Reports
Jean-Luc Godard may not have invented the filmic convergence of la grande Histoire and la petite histoire, of the way that art and, especially, cinema can highlight the intersection between personal history and...

The Proof and the Pudding: Indie Lisboa’s 10th Anniversary Edition

Jorge Mourinha
June 2013
Festival Reports
Ten years is always a nice age for any film festival to reach, especially in a country in a deep recession where the investment in culture has shrunk to almost non-existent numbers. It's to its credit that Indi...

A State of Urgency: The 2012 DocLisboa – International Documentary Film Festival

Jorge Mourinha
November 2012
Festival Reports
Urgency was the key word for the 10th anniversary of DocLisboa. The urgency of the state of the world around us; the urgency of finding new ways to translate it into moving images; the urgency of showing people...

State of the Nation: Portuguese Short Film at the 20th Vila do Conde International Short Film Festival

Jorge Mourinha
August 2012
Festival Reports
In 1993, critic and essayist Augusto M. Seabra published a prescient column in the daily Público saluting a new generation of Portuguese filmmakers emerging in the short film format, usually little seen out...

Telling Real-Life Stories: the 9th DocLisboa International Documentary Film Festival

Jorge Mourinha
December 2011
Festival Reports
Over the course of nine years, DocLisboa has grown in stature into one of the key European shop windows of modern non-fiction film. Lisbon's documentary film festival has become a yearly rendezvous, an opportun...
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28,000 People Can’t be Wrong: The 3rd IndieLisboa Festival

Jorge Mourinha
July 2006
Festival Reports
April 20–30, 2006 What exactly defines “indie cinema” these days? Its subject, its mode of production or of release, its format, its budget, some indefinable melding of all the above? We could hang aroun...

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