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    • Astro Noise: Unsettling Encounters, or The Finer Points of Whistle Blowing

      Grant Bromley
      December 2014
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Grant Bromley
      January 2026
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
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      October 2002
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      Patrick F. Campos
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      January 2026
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      Ashish Dwivedi
      November 2025
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      November 2024
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      Grant Bromley
      August 2023
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Grant Bromley
      April 2010
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Ashish Dwivedi
      May 2026
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      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      The Death of Mr. Lazarescu (Cristi Puiu, 2005)

      Grant Bromley
      September 2017
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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      Darragh O’Donoghue
      July 2026
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      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Grant Bromley

Grant Bromley

Grant Douglas Bromley is a graduate of Columbia University's Film Studies MA program, and is an independent filmmaker and essayist on the cinema based out of Knoxville, TN.

Overturning the heresy: Joan of Arc at the Stake

Grant Bromley
March 2025
CTEQ Annotations on Film
“It’s beautiful to be the daughter of God.” – Joan of Arc, in Joan of Arc at the Stake Picking up where Victor Fleming’s final film, the independently produced Joan of Arc (1948), leaves off, Roberto Rosselli...

The Fading Kouros of Razzia sur la chnouf

Grant Bromley
November 2023
CTEQ Annotations on Film
“How old are you?” Henri Ferré, Jean Gabin’s character in Henri Decoin’s Razzia sur la chnouf (1955), regularly asks women.  One replies, "What does it matter? We age quickly in this life."  Each woman f...

The Temptations’ “My Girl” in Father of The Bride (1991)

Grant Bromley
October 2020
Pop Music in Film
I don't need no money, fortune, or fame. I've got all the riches, baby, one man can claim. -The Temptations, “My Girl” Charles Shyer’s Father of The Bride (1991) – more a contemporary reimagining of the p...

Abbas Kiarostami’s The Traveller (1974)

Grant Bromley
October 2020
CTEQ Annotations on Film
In 1959, François Truffaut's Les quatre cents coups (The 400 Blows, 1959) presented delinquent childhood in a manner that allowed for its lead actor, the 14-year-old Jean-Pierre Léaud, to become a star seemingl...

That which is planted: A Time to Love and a Time to Die (Douglas Sirk, 1958)

Grant Bromley
April 2020
CTEQ Annotations on Film
To every thing there is a season, and a time to every purpose under the heaven: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time ...

A Girl in Every Port (Howard Hawks, 1928)

Grant Bromley
October 2019
CTEQ Annotations on Film
“Man’s favorite sport?” The answer, presumably, in the world of Howard Hawks, is “woman”. At least, that’s what’s on the surface in Hawks’ work. One doesn’t have to look much further for evidence of that than t...

Colloidal Images: The Silent Films of Philippe Garrel

Grant Bromley
October 2018
The Second Generation: French Cinema After the New Wave
“Life’s a gas. I hope it’s gonna last.” – T. Rex, “Life’s a Gas” Wearing only pantyhose over underwear, an androgynous child (Stanislas Robiolle) finds an aerosol can of hairspray on the headboard of his pa...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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