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      Photographs in Haunted Rooms: The Found Home Experimental Film and Merilee Bennett’s A Song of Air

      Giuliano Vivaldi
      December 2002
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Giuliano Vivaldi
      May 2022
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Đăng Tùng Bạch
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Giuliano Vivaldi
      January 2003
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      Florian Zappe
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      Patrick F. Campos
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Giuliano Vivaldi
      January 2022
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      Tony Williams
      May 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
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      Tony Williams
      May 2025
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      Circling Back: The Avant-Garde Looks to the Past, and Other Small (But Substantial) Pleasures: The 37th International Film Festival Rotterdam

      Giuliano Vivaldi
      August 2008
      Festival Reports
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Experimental Cinema in the Digital Age (BFI 2001) by Malcolm Le Grice

      Giuliano Vivaldi
      March 2002
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      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Giuliano Vivaldi
      March 2013
      CTEQ Annotations on Film
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
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Author Giuliano Vivaldi

Giuliano Vivaldi

Giuliano Vivaldi is a translator, writer and blogger on film, cultural history and philosophy. He has written on various aspects of Russian and Soviet film and is preparing a volume on Boris Barnet (to be published by Cygnnet). He has translated subtitles for dozens of films and curated film retrospectives and events linked to the figure of Pier Paolo Pasolini. As well as writing on critical Russian philosophy emerging in the late Soviet period, he has translated texts by the dissident Soviet Marxist philosopher Evald Ilyenkov.

Showcasing a Myriad of Landscapes and Cityscapes: The Odessa International Film Festival

Giuliano Vivaldi
October 2018
Festival Reports
Odessa boasts an impressive although often overlooked film history and the idea of staging Ukraine’s major international festival in this city is certainly a fortuitous one. Indeed, the festival organisers were...
Flesh and Excess

Towards a History of Visceral Cinema: Flesh and Excess: On Underground Film, by Jack Sargeant

Giuliano Vivaldi
September 2017
Book Reviews
Jack Sargeant’s latest book Flesh and Excess: On Underground Film is, as he says in the introduction to the volume, a return to, or re-articulation of, “fascinations, idées fixes and simple raw mania” that he h...

Portrait of an Eternal Outsider: The Cinema of Sergei Parajanov by James Steffen

Giuliano Vivaldi
September 2014
Book Reviews
In light of the reputation of Parajanov as one of the giants of late Soviet cinema, and the canonical status of at least two of his most well-known works, the previous lack of an English-language study of his w...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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