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    • The Dionysian Stage of 2018: Interview with Gabriel Abrantes and Daniel Schmidt

      Fergus Daly and Katherine Waugh
      June 2018
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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      Fergus Daly and Katherine Waugh
      January 2022
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      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
    • An Interview with the late Monte Hellman (1929-2021)

      Wheeler Winston Dixon
      July 2021
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      Fergus Daly and Katherine Waugh
      January 2003
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      Jeremy Carr
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      Tom Cunliffe
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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      A Report on the 52nd Melbourne International Film Festival

      Fergus Daly and Katherine Waugh
      October 2003
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      Maria Giovanna Vagenas
      February 2022
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      Kohei Usuda
      February 2022
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      Leonardo Goi
      January 2022
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      Carmen Gray
      January 2022
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      Bérénice Reynaud
      January 2022
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      Amelia Leonard and Jacob Agius
      January 2022
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      Mother India by Gayatri Chatterjee

      Fergus Daly and Katherine Waugh
      December 2002
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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      Van Gogh

      Fergus Daly and Katherine Waugh
      July 2006
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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more articles... more articles... more articles... more articles... more articles...

Author Fergus Daly

Fergus Daly

Fergus Daly is the director of Experimental Conversations (2006).

Ivan's Childhood

1962: Ivan’s Childhood (Andrei Tarkovsky)

Fergus Daly and Katherine Waugh
December 2017
100 Years of Soviet Cinema
Ivan's Childhood (1962 USSR 97mins) Source: Film Alliance Prod Co: Mosfilm Dir: Andrei Tarkovsky Scr: Vladimir Bogomolov, Michael Papava from the story by Bogomolov Phot: Vadim Yusov Art Dir: V. Chernyaev Mu...
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Deval in ’68: An Interview with Patrick Deval

Fergus Daly and Maximilian Le Cain
August 2008
Before the Revolution
The director of Acéphale and Héraclite l’obscur looks back on the people, films and events that have shaped his work and thoughts.
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Spirits in the Night – A Reply to Adrian Martin on Garrel’s L’Enfant secret

Fergus Daly
September 2001
French Cinema Present and Past
A continuing, poetic dialogue on a 'sacred' film and a reflection on film criticism and cinephilia.
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Ivan’s Childhood

Fergus Daly and Katherine Waugh
July 2001
CTEQ Annotations on Film
Ivan's Childhood (1962 USSR 97mins) Source: Film Alliance Prod Co: Mosfilm Dir: Andrei Tarkovsky Scr: Vladimir Bogomolov, Michael Papava from the story by Bogomolov Phot: Vadim Yusov Art Dir: V. Chernyae...
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A Beautiful Exception: Godard’s For Ever Mozart

Fergus Daly
June 2001
Jean-Luc Godard - Pt 1
An exceptional re-evaluation of this dismissed Godard film.
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On Four Prosaic Formulas which Might Summarize Hou’s Poetics

Fergus Daly
February 2001
Contemporary Asian Cinema
A solid and fascinating account of the ideas at play in Hou's cinema, and their relation to Mizoguchi.
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Immanence and Transcendence in the Cinema of Nature

Fergus Daly
December 2000
Philosophy, Criticism & Film
An intriguing discussion of films that philosophise the human-nature relation.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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