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    • The Artist: Mystification Beyond Artistry

      Ednei de Genaro and Hermano Callou
      April 2012
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    • A Face in the Crowd: Ritual, Mythological and Political contexts in Stranger and the Fog

      Amir Hossein Siadat
      November 2023
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      Tyler Thier
      November 2023
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      Aryan Tauqeer Khawaja
      November 2023
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      Oliver Kenny
      November 2023
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      Frankie Kanatas
      November 2023
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      Laleen Jayamanne
      August 2023
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      Ednei de Genaro and Hermano Callou
      January 2023
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      Gary M. Kramer
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      Mike Hoolboom
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      Amanda Barbour
      November 2023
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      Amanda Barbour
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      Öykü Sofuoğlu
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      Jaimey Fisher & Gerd Gemünden
      November 2023
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      Ednei de Genaro and Hermano Callou
      February 2005
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      Deborah Allison
      November 2023
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      Jeremy Carr
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      Benjamin Kooyman
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      Sherry Johnson
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      Giampiero Frasca
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      Ednei de Genaro and Hermano Callou
      August 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      A Report on the 2nd Human Rights Arts and Film Festival

      Ednei de Genaro and Hermano Callou
      March 2009
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      Xiang Fan
      November 2023
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      Roger Macy
      November 2023
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      Jonathan Mackris
      November 2023
    • Magnetizing and still Putting on Weight – the 37th Il Cinema Ritrovato

      Roger Macy
      November 2023
    • Dealing with the past, and present, at the 29th Sarajevo Film Festival

      Randy Malamud
      November 2023
    • 76th Locarno Film Festival: Culture on the Edge, Tumbling Into Futures Unknown

      Jaimey Fisher
      November 2023
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      Forms of Being: Cinema, Aesthetics, Subjectivity by Leo Bersani and Ulysse Dutoit

      Ednei de Genaro and Hermano Callou
      July 2005
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    • Facing the Other: Keyvan Manafi’s The Eye of the Cinematograph: Levinas and Realisms of the Body

      M. Sellers Johnson
      November 2023
    • A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson

      Hannah Bonner
      November 2023
    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
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      Goodbye, Mr. Germ

      Ednei de Genaro and Hermano Callou
      July 2002
      CTEQ Annotations on Film
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      Grace Boschetti
      November 2023
    • The Golden Cage: Ayten Kuyululu and Australian Cinema

      Adrian Danks
      November 2023
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      Darragh O’Donoghue
      November 2023
    • A Rainha Diaba

      Mateus Nagime
      November 2023
    • No longer lost, now remembered: A conversation with Rafael de Luna Freire about Antes, o Verão

      Eloise Ross
      November 2023
    • The Red Light Bandit

      Guilherme Carréra
      November 2023
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Author Ednei de Genaro and Hermano Callou

Ednei de Genaro and Hermano Callou

Ednei de Genaro has a doctorate in Communication at Federal Fluminense University (UFF) in Rio de Janeiro, Brazil. In 2015, he defended thesis entitled “Farocki, thinker and media operator”. Hermano Callou is an independent film programmer and doctoral candidate in Communication and Culture at Universidade Federal do Rio de Janeiro (UFRJ).

Harun Farocki

“Keep the horizon open”: An Interview with Harun Farocki

Ednei de Genaro and Hermano Callou
July 2016
Feature Articles
In February 2014, Harun Farocki invited us to interview him at his apartment in a former communist neighbourhood in Berlinaus. He had just turned seventy, and was still very active: aside from having just relea...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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