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    • Rediscovering Morality Through Ashgar Farhadi’s A Separation

      Dominic Lash
      December 2011
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    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
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      Caitlin Wilson
      May 2022
    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
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      Nashuyuan Wang
      May 2022
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      Dominic Lash
      May 2022
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      Silvia Spitta & Gerd Gemünden
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      Victor Paz
      May 2022
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      Nolan Kelly
      May 2022
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      Brigitta Wagner
      May 2022
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      Elizabeth Dexter
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      Paulo B. Menezes
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      Dominic Lash
      October 2002
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
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      Dan Golding
      July 2021
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      Dominic Lash
      May 2022
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      Jessica Balanzategui
      January 2022
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      The 26th Hong Kong International Film Festival – A Report

      Dominic Lash
      May 2002
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      Madeleine Collier
      May 2022
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      Tara Judah
      May 2022
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      Tara Judah
      May 2022
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      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
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      Ricardo Vieira Lisbo
      May 2022
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      “In Between” the Moving Image: Mutant Media: Essays on Cinema, Video Art and New Media by John Conomos

      Dominic Lash
      July 2009
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
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      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
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      Megan Carrigy
      July 2021
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      Germany, Year Zero

      Dominic Lash
      July 2009
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      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Dominic Lash

Dominic Lash

Dominic Lash has taught film at the Universities of Bristol and Reading and at King’s College London. His first monograph, The Cinema of Disorientation: Inviting Confusions, will be published by Edinburgh University Press later in 2020. Current research projects concern the film philosophy of Robert B. Pippin and the question of cinematic rhythm.

A meet and happy conversation: Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema by Catherine Wheatley

Dominic Lash
April 2020
Book Reviews
The philosopher Stanley Cavell (1926-2018) was the author of a relatively small but extremely rich collection of books and articles on film, mostly concentrating on classic Hollywood cinema, which have generate...

Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

Dominic Lash
December 2018
Book Reviews
In 1996 Guitar Player magazine ran a feature on the future of heavy metal which included a short section on the pros and cons of the guitar solo. A number of prominent metal guitarists expressed views such as t...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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